복스, 미디엄 또는 백스테이지와 같은 출판물에서 언급 된 TMFF는 ShortFilm Connection에서 “현재 웹에서 가장 유명한 영화제”라고 명명되었습니다. 지금까지 약 3500 개의 영화와 매달 수만 건의 웹 사이트 방문을 통해 TMFF를 통해 프로젝트를 돋보이게하고 필요한 도달 범위를 얻을 수 있기를 바랍니다! 또한 IMDB 예선 이벤트 외에도 모든 공식 선정은 당사의 광범위한 필름 컬렉션에 자동으로 입력됩니다. https://tmff.net/collection/
매월 우리 심사 위원 (영화 업계에서 일하는 사람들) 은 TMFF 후보자와 수상자가 누구인지 결정할 것입니다. 지금까지 13,000개 이상의 프로젝트를 받았으며, 80개 이상의 월간 에디션을 개최하고 전 세계에서 800개 이상의 영화를 수상했습니다!
❗ 이 점을 염두에 두십시오: 원하지 않는다면 저희 웹 사이트에 영화 정식 버전을 넣지 않을 것입니다. 예고편이 할 것입니다.
❓ 자주 묻는 질문: https://tmff.net/faq/
HERITAGE FILM FESTIVAL
In order to preserve India’s finest cultural legacies, aadhar initiated The Heritage Film Festival to explore India’s glorious heritage through audiovisual media. The Heritage Film Festival is a project by aadhar to spread awareness and educate public about India’s heritage through films
The Heritage Film Festival is not just an EVENT... but a CAUSE with the aim to REVIVE the dying traditional art forms,
it a Movement to embellish & enrich the Rich Heritage of India...!
Overall aim of the Heritage Film Festival (HFF) is to encourage film submissions, organize film making projects, review film competitions, and screen films to different audiences.
MADTerrorFest was created with the purpose of covering the vacuum that exists in Madrid regarding the genres of fantasy films and terror concerns.
There is lot of talent already discovered and above all to be discovered. So we have proposed to dig up all that potential and make it available for the lovers of this type of film, which we tell us of course.
We want to do a festival of short films that gradually give rise to the International Film Festival of horror and fantastic of Madrid, and become a reference within the national and international scene.
And of course we want you enjoy it as much as we do to prepare it.
Or better yet, that you may suffer uncompromising hitting boats like maniacs in your seat; We know that you love.
We have the pleased to announce one more edition of the University Film Festival in Puebla, which aims to promote local, national and international university cinema.
OBJECTIVES
Exhibit and publicize the most outstanding proposals of university cinema.
Encourage film production in a professional manner within the university community.
Offer a meeting and exchange between young university filmmakers, experts in the film industry and audience.
제11회 라 세레나 국제 영화제 (FECILS) 는 2025년 10월 22일부터 25일까지 코킴보 지역에서 열리는 경쟁적인 시청각 행사입니다. 지역, 국가 및 라틴 아메리카 시청각 활동의 제작 및 보급을 지원하여 지역 영화 제작자와 제작자의 교류와 교육을 촉진하여 분권화에 기여하고자 합니다. FECILS는 이러한 활동을 통해 코킴보 지역에 영화 전시 공간을 마련하는 것 외에도 새로운 관객을 창출하는 데 초점을 맞추는 문화 행사로 자리매김하고자 합니다. FECILS 2025는 지역 코뮌의 다양한 장소를 대상으로 시청각 홍보 프로그램을 제공합니다.
The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!
CHECK OUR TRAILER HERE :
https://vimeo.com/126007311
Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;
We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.
Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.
The Green-Go Short Film Contest is generously supported by the European Commission.
This year we are awaiting short films (and Testimonies!) in the following three categories:
1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)
The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.
The festival takes place in Srem, once a year.
After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.
Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.
Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.
Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.
Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.
To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.
http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/
http://www.shortcom.co.uk/wp/2015-international-selection/
http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/
*Feature Films
We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.
La Fundación de artes escénicas Macer Ponti es una organización no gubernamental de Colombia que apoya el talento artístico en la comunidad de futuros actores y actrices proviendo el arte y la cultura en poblacion en alta vulnerabilidad para el desarrollo social de la región.
Dasarrollamos producciones promoviendo sentido social con valores y está dirigida por Miguel Angel Cardona Erazo con más de 10 años de experiencia y reconocimiento por su trayectoria en la TV nacional.
Nuestros Valores:
Misión
Somos una entidad sin ánimo de lucro, en donde nuestra misión es educar, entretener y culturizar a través de diversas manifestacones artísticas, como teatro, cortometrajes, baile, música, fonónmiimica y modelaje.
Visión
Ser el espacio donde, la comunidad de todos los estractos sociales, tengan la oportunidad de mostrar su talento, en las diferentes ramas del arte y la cultura.
Objetivos
Llegar y demostrar en todos los rincones, proyectando nuestro trabajo artístico y cultural, con talento Palmirano, traspasando fronteras y asi poder mostrarle al mundo el gran potencial que hay en la Villa de la Palmas.
후사가스가 국제 영화제 (FICFUSA) 는 후사가스가와 수마파스 지역 주민들에게 고품질의 새로운 스크린, 시점, 영화 작업을 제공하여 여성이 겪는 문제와 문제에 대한 비판적 사고를 장려하는 것을 목표로 합니다. 단기적으로는 젠더 및 여성 주제 영화를 위한 국제 플랫폼이 되어 이러한 주제에 관심이 있는 제작자, 감독 및 배급사를 유치하는 것을 목표로 합니다.
폰페라다 영화제는 제작, 배급, 전시 형식, 카테고리, 장르, 주제 등에 상관없이 전 세계 단편영화를 보급하고 홍보하는 데 특화된 행사입니다.
단편영화는 영화 업계의 새로운 전문가를 위한 학습 자료이자 장편 영화로의 도약을 위한 홍보 수단이 될 뿐만 아니라 시장으로부터 독립된 매우 창의적이고 자유로운 표현, 스토리텔링 및 실험의 형태가 될 수 있습니다.
또한 우리는 길이에 관계없이 전 세계 모든 지역의 문화적, 사회적, 언어적 다양성을 반영하고 사람들의 기억과 가장 잘 알려지지 않은 보편적인 시청각 유산인 영화를 강조하기 위해 최선을 다하고 있습니다.
FIC 멀티페스트는 라틴 아메리카의 가장 중요한 영화 제작 허브 중 하나인 과달라하라에 본사를 둔 그루포 코르토스 베르데스 인터나시오날이 주최하는 국제 영화제입니다.
이 페스티벌은 단편 영화, 장편 영화, 다큐멘터리 및 인공 지능과 같은 새로운 기술의 지원을 받아 제작된 스토리텔링을 포함하여 새로운 형태의 스토리텔링을 홍보하고 선보이겠다는 사명을 가지고 탄생했습니다.
FIC 멀티페스트는 혁신적인 창작자들의 만남의 장소이자 현대 영화의 예술과 기술적 진화를 기념하는 공간입니다.
멀티페스트는 단순한 페스티벌을 넘어 지역, 국내 및 국제 시청각 작품의 가시성, 교육 및 배포를 위한 플랫폼으로 자리 잡았으며 디지털 미디어, 소셜 네트워크 및 대체 전시 채널을 통해 영향력을 확대하고 있습니다.
이 페스티벌은 신진 크리에이터, 유명 영화 제작자, 관련 페스티벌, 혁신적인 콘텐츠를 열망하는 관객이 모이는 만남의 장소로 자리매김하고 있습니다. 영화를 공유하고 발전하며 미래를 향해 나아가는 공간.
피아티코르티는 2000년에 이스트라나의 “청소년 프로젝트”에 참여한 일부 구성원의 아이디어에서 탄생했습니다.
이 행사의 이름이 선정된 이유는 두 가지입니다. 첫째로, '호흡곤란' (피아토 코르토) 은 짧은 시간 (단편 영화와 동일한 시간) 의 신체적 노력의 결과입니다. 게다가 최대 20분까지 이어지는 영화는 관객에게 강렬한 감정을 전달하여 관객을 '숨이 막힐 지경' 상태로 만들 수 있습니다.
처음에는 피아티코르티를 하룻밤, 즉 시상식의 밤으로 압축했습니다. 하지만 4회부터는 형식이 강화되어 페스티벌은 네 단계에 걸쳐 진행되며, 이 기간 동안 최고의 작품이 상영됩니다.
2006년에는 베네토 지역의 단편 영화 제작자들을 포상하기 위해 섹션 FiatiVeneti가 도입되었습니다.
2011년은 피아티코르티의 전환점이었습니다. 오랜 예술 감독이었던 지아니 빌리오 (Gianni Billio) 는 바르톨로 아이롤디 사가리가 (신임 예술 감독), 안드레아 그레스팬, 시몬 페로토에게 지휘봉을 넘겼을 뿐만 아니라, 프랑스, 영국, 루마니아, 스페인 등을 중심으로 한 외국인 참가자들의 수와 함께 경쟁 작품의 질이 급격히 높아졌다. 피아티코르티는 점차 국제 행사로 자리잡았다.
하지만 70년대 이탈리아 필름 클럽 문화와 연결된 이 페스티벌의 정체성은 항상 변함이 없습니다. 그 목표는 단편 영화에 대한 문화와 열정을 전달하는 것입니다. 그래서 아트 디렉션은 페스티벌과 다른 종류의 행사를 함께 진행하지 않기로 결정했습니다.
