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APIMA, PAC, Macabro FICH, and FantasoLab launch the call for submissions in their respective countries, evaluate the received projects, and select 5 finalists each.
The finalist projects will be those that, in addition to their inherent artistic qualities, have the greatest potential for organic co-production among Argentina, Colombia, Spain, and Mexico, always considering the conditions and limitations of the existing co-production agreements.
Additionally, each country may choose 5 more projects as semifinalists, which will not participate in the Pitching sessions but will have a profile on the intranet of the website visible to attending companies.
Information about registrations, invitations, and membership:
APIMA (Argentina) – administracion@apima.com.ar
PAC (Spain) – pac@pac.cat
Macabro (Mexico) – contacto.macabrofich@gmail.com
FantasoLab (Colombia) – info@ovejaelectrica.com
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IV Ibero-American Co-Production Forum for Horror and Fantastic Projects
The contest is open to short film scripts in fiction, animation, or documentary, written in Spanish or Valencian/Catalan.
Scripts may have any theme, whether original or literary adaptations, with a maximum length of 25 pages (including the cover), in Courier font, size 12, and must not have begun filming before the start of the Skyline Benidorm Film Festival 2025.
By participating in this contest, authors acknowledge that they own 100% of the copyrights for the submitted works.
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Screenwriting Contest - SkylineFest
Since 2014, Cinéma du Réel has been working with industry professionals to promote the distribution of documentary films and strengthen connections between filmmakers and distributors. During the festival's 36th edition, ParisDOC was created, an event conceived by Maria Bonsanti, Anaïs Desrieux, and the association Les Amis de Cinéma du Réel.
Participants at this two-day event had the opportunity to watch films in post-production, with an additional day dedicated to discussing initiatives aimed at film distribution. The event's purpose, which later evolved into ParisDOC Works-in-Progress and the Public Forum, was clear from the start: rather than simply opening a market, the goal was to address the challenges and issues facing the documentary film industry, foster innovative ideas, and provide professionals with tailored support and guidance.
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PARIS DOC
The Málaga Film Festival celebrates the eighth edition of Málaga Work in Progress, highlighting its commitment to the diversity of identities and languages within the Ibero-American region and its audiovisual industry. Its goal is to continue supporting the development of projects by creators from Spain, Portugal, and Latin America.
Málaga Work in Progress consists of two distinct initiatives, tailored to meet the specific needs of the participating films and their creators. Both are designed to support the completion of fiction and documentary feature films in advanced editing or first cut stages, seeking incentives for the post-production process and international distribution.
Málaga WIP España, featuring six titles of Spanish nationality.
Málaga WIP Iberoamérica, featuring six titles from Ibero-America (Latin America and Portugal).
Audiovisual works must be registered with the Film Institute or equivalent organizations in their country of origin, whether these are industry guilds or other officially recognized entities.
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Málaga - WIP
For the Cartagena de Indias International Film Festival – FICCI, the new talents of the film industry are a central focus of interest.
From this perspective, FICCI 64, with the support of Ibermedia, opens the call for La Residencia FICCI as a program of screenwriting aimed at directors and/or screenwriters from Ibero-America and Italy who have verified experience in short films and are developing their first or second feature-length fiction film.
The objective of La Residencia FICCI is to support participants in the initial phase of writing their feature-length screenplays in order to consolidate their artistic and conceptual proposals. In order to nourish the development stage of the projects, participants will also receive complementary inputs during LA RESIDENCIA FICCI on topics such as audience analysis, financing, marketing possibilities, distribution and circulation of the films, as well as other related topics.
FICCI invites the participation of emerging talents who are immersed in the deep exploration of cinema as an art, whose interest consists in reaching art to its contours, imagining new (or antique) ways and routes of relating to the world. Therefore, FICCI is interested in the multiplicity of ways of understanding and imagining filmmaking.
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The Residency - FICCI