Attention to all film talents: From 21 November 2017 until 31 January 2018, filmmakers will have the chance to apply for the LET’S CEE Short Film Competition 2018. Not only are two main prizes waiting to be won, moreover, ten finalists will receive an invitation to participate in the second edition of the LET’S CEE Talent Academy in Vienna!
Between 21 November 2017 and 31 January 2018, filmmakers up to the age of 35 from Central and Eastern Europe, the Caucasus region, Turkey and Austria will have the possibility to submit their short films to the Short Film Competition of the LET’S CEE Film Festival 2018.
However, filmmakers of all ages and from all over the world are welcome as well to send in thematically fitting contributions. Due to the festival’s geographical focus on CEE though, these short films will not be included in the main Short Film Competition, but will very well have the chance to win the Audience Award in the Short Film category and be screened at the festival in the section Short Films | Out of Competition. We furthermore cordially encourage international makers of virtual reality films, 3D productions and avant-garde pieces to apply as we will be offering these genres a stage at our festival as well.
The theme of the Short Film Competition 2018 is TOGETHER OR APART.
Great Britain voted for the Brexit last year and in doing so decided against a EU membership; most recently thousands of Catalan people went to the streets demanding independence from Spain; under the presidency of Donald Trump, the USA is seeking to withdraw from the Paris climate protection agreement and renegotiate various other commercial treaties – these are only three of many examples demonstrating the recent shift of the political mood in numerous countries. A growing migratory pressure, an increasing gap between the rich and poor, as well as justified and unsubstantiated fears – of the consequences of digitalisation, of the loss of jobs and stability and of social change – have discredited globalisation and encouraged a comeback of nationalist and isolationist tendencies, which seemed utterly unfathomable only a few years ago. Even on a national scale, societal cohesion appears to be threatened more and more. How does the growing division of society influence both the community and individuals? Will political agitation, hatred, egotism and greed for profit become the new normal? Well, the situation is critical, but not hopeless, neither on an international nor a national level. There are still representatives of the civil society who make no effort to surrender to the threatening eroding solidarity. Fortunately, there are numerous instances proving how people still advocate for the poor and disadvantaged with great optimism, dedication and empathy – people who rather pay attention to what we have in common instead of what keeps us apart.
The competition’s theme, TOGETHER OR APART, may be manifested in the submitted material in various manners and methods. Interpersonal aspects, such as family and relationship dramas, trials and tribulations, moments of success and happiness or the joint overcoming of challenges can be taken into account just as well as social, political, juridical and/or cultural matters. In other words: everything is possible, as long as it touches on the topic and is done well!
An advisory board chaired by the renowned Austrian-Iranian filmmakers Arash T. Riahi and Arman T. Riahi will choose the best contributions from the submissions for the LET’S CEE Short Film Competition. The short films, which will be screened out of competition, will be selected by the Bosnian-Dutch producer Denis Mujović and festival director Magdalena Żelasko.
After the presentation of the participating productions at the festival, an international jury will decide on the winner of the competing short films and, thus, who will be awarded the main prize – 1,500 Euro and a Urania statuette – at the Awards Ceremony in the Urania Cinema on 20 April 2018. The remaining short films presented during the festival will have, without exception, the chance to win the 1,500 Euro Audience Award in the category Short Film.
All filmmakers who will take part in the main Short Film Competition will additionally profit from their participation. At the expense of the festival, one of the involved filmmakers of each short film will be invited as an official guest*) to Vienna in order to present their work. Those persons will, furthermore, have the opportunity to join the second edition of the LET’S CEE Talent Academy.
15 remaining free seats for the Talent Academy will be filled by Out-of-Competition filmmakers. The most important items on the one-week Academy agenda include the attendance of LET’S CEE Master Classes and LET’S CEE Industry Days, the collaborative finalisation of a short film about Vienna, and the once-in-a-lifetime opportunity to pitch a film idea to Raindance film festival director Elliot Grove (and win big!) at the Pitching Competition. Of course, all invited filmmakers will enjoy several Get-togethers, where they can get in touch with successful distributors, directors, producers, actors etc., exchange experiences and new ideas and thus strive to new projects and international collaborations. In order to enable as many filmmakers as possible to visit LET’S CEE and present their work to the festival audience, all participants of the section ‘Short Films | Out of Competition’ will receive free festival accreditations and discounts for the official hotel partner on request.
The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
그랜드래피즈 페미니스트 영화제 (GRFF) 는 주류 미디어에서 역사적으로 소외된 그룹의 목소리를 높이고 재능을 선보일 수 있는 축제입니다 .
우리의 사명은 다음과 같습니다.
● 카메라 앞과 뒤에 다양한 표현의 부족에 대한 인식
● 소외된 그룹의 미디어 제작자가 페미니스트 행위로 영화 제작에 참여할 수 있도록 격려하고 권한을 부여하십시오.
● 교차하는 성별, 성적, 인종, 능력, 계급, 나이 등의 렌즈
● 상호 문화적 이해를 증진하는 환영 안전 공간 육성.
이제 6년째 GRFFF는 원래 독자적인 출판사 더 산적 지인의 발명품이었습니다. 작은 저녁 쇼케이스로 시작된 것은 이제 인터랙티브 워크숍과 패널, 현지 아티스트의 공연, 세계 각지에서 상영된 영화를 포함하는 하루 종일 축제로 성장했습니다.
올해, 축제는 그랜드 래 피즈의 부유 한 극장에서 개최됩니다. 연사, 드래그 쇼, 30편 이상의 단편 영화를
개최할 예정입니다. 올해 페미니스트 페미니스트 커뮤니티에 참여하게 되어 기쁩니다.
GRFFF는 전적으로 자원 봉사자에 의해 운영되며 지역사회 파트너십과 스폰서를 통해 가능합니다.
Purpose- 1936, Memorias del Silencio is created with the aim of promoting through the cinema and colloquies,the peace cultur and another view around the world, regarding the Spanish civil war.
This program responds the intention of dealing with the role of the Spanish civil war from its cultural environment, anthropological and social, with special attention to the role of woman through its evolution.
Lectures and speakers will participate in workshops, discussions, and debates in order to make aware and provoke reflection on some events that a whole sector refuses to talk about. For this reason, we will give priority to the accesible suggestions to people with audible or visual disabilities.
It will be integrated by a retrospective, competition, and colloquies or conferences with specialists.
We encourage the participation of spanish producers and we stimulate the producer’s look from countries with low production or with difficulty to reach our film theaters and specially encouraging the presence of works made by young artists.
“Women’s Director International Film Festival – 2016” (Season - 3)
About WDIFF – The Annual Women's Director International Film Festival (WDIFF) is one of the few international film and arts festivals dedicated to women's. This three-day extravaganza, consisting of indoor and outdoor red carpet film screenings, fashion shows, workshops, and of course Shopping Stalls. It's a celebration of women and all who love women. WDIFF films and screenings are selected and hosted by filmmakers, professors, and other notable figures in the world of film. In addition to exhibiting the next new wave of women filmmakers, the WDIFF also makes time to pay tribute to films by women with historical significance.
In past years festival gains reputation & regarded as among most prestigious festival in India. The festival grows over the years & attracts filmmakers from across the India & across the world.
Mission & Objective - The mission of the Women's Director International Film Festival (WDIFF) is to empower women's artistic vision internationally. With women representing only 7% of filmmakers, we would like to increase the number of women in the industry and support those women who are actively involved by assisting filmmakers and artists with the development of their craft.
안녕하세요,
코로나 바이러스와 Covid-19 질병은 여러 가지 방법으로 세상을 바꿨습니다. 지난 2년 동안, 2021년과 2022년 동안, 우리는 우리의 축제를 온라인으로 열었습니다. 이는 우리에게 새로운 경험이었습니다. 모든 것이 잘 진행되었고, 한 장소에서 작은 관객이 아니라 전 세계에 관객이 있었습니다! 이것이 하나의 큰 이점이었지만, 우리는 사람들을 함께 모아서 영화에 대해 이야기하고 새로운 친구를 사귀는 것을 놓쳤습니다.
전염병의 불확실성으로 인해 과거와 같은 특정 장소에서 Free Spirit Filent Frient Festival (2022) 의 18 번째 판을 개최 할 수 있는지 확실하지 않습니다. 수집이 여전히 문제로 남아 있으면 다시 온라인으로 호스트합니다.
전염병 상황이 바뀌고 특정 장소에서 축제를 개최 할 수 있다면 언제 어디서 최종 결제를 마쳤는지 발표 할 것입니다. 제출물은 6월에 개설됩니다.
안전하게 지내세요!
진심으로 당신,
랍상 왕잘
축제 디렉터
복스, 미디엄 또는 백스테이지와 같은 출판물에서 언급 된 TMFF는 ShortFilm Connection에서 “현재 웹에서 가장 유명한 영화제”라고 명명되었습니다. 지금까지 약 3500 개의 영화와 매달 수만 건의 웹 사이트 방문을 통해 TMFF를 통해 프로젝트를 돋보이게하고 필요한 도달 범위를 얻을 수 있기를 바랍니다! 또한 IMDB 예선 이벤트 외에도 모든 공식 선정은 당사의 광범위한 필름 컬렉션에 자동으로 입력됩니다. https://tmff.net/collection/
매월 우리 심사 위원 (영화 업계에서 일하는 사람들) 은 TMFF 후보자와 수상자가 누구인지 결정할 것입니다. 지금까지 13,000개 이상의 프로젝트를 받았으며, 80개 이상의 월간 에디션을 개최하고 전 세계에서 800개 이상의 영화를 수상했습니다!
❗ 이 점을 염두에 두십시오: 원하지 않는다면 저희 웹 사이트에 영화 정식 버전을 넣지 않을 것입니다. 예고편이 할 것입니다.
❓ 자주 묻는 질문: https://tmff.net/faq/
HERITAGE FILM FESTIVAL
In order to preserve India’s finest cultural legacies, aadhar initiated The Heritage Film Festival to explore India’s glorious heritage through audiovisual media. The Heritage Film Festival is a project by aadhar to spread awareness and educate public about India’s heritage through films
The Heritage Film Festival is not just an EVENT... but a CAUSE with the aim to REVIVE the dying traditional art forms,
it a Movement to embellish & enrich the Rich Heritage of India...!
Overall aim of the Heritage Film Festival (HFF) is to encourage film submissions, organize film making projects, review film competitions, and screen films to different audiences.
MADTerrorFest was created with the purpose of covering the vacuum that exists in Madrid regarding the genres of fantasy films and terror concerns.
There is lot of talent already discovered and above all to be discovered. So we have proposed to dig up all that potential and make it available for the lovers of this type of film, which we tell us of course.
We want to do a festival of short films that gradually give rise to the International Film Festival of horror and fantastic of Madrid, and become a reference within the national and international scene.
And of course we want you enjoy it as much as we do to prepare it.
Or better yet, that you may suffer uncompromising hitting boats like maniacs in your seat; We know that you love.
We have the pleased to announce one more edition of the University Film Festival in Puebla, which aims to promote local, national and international university cinema.
OBJECTIVES
Exhibit and publicize the most outstanding proposals of university cinema.
Encourage film production in a professional manner within the university community.
Offer a meeting and exchange between young university filmmakers, experts in the film industry and audience.
제11회 라 세레나 국제 영화제 (FECILS) 는 2025년 10월 22일부터 25일까지 코킴보 지역에서 열리는 경쟁적인 시청각 행사입니다. 지역, 국가 및 라틴 아메리카 시청각 활동의 제작 및 보급을 지원하여 지역 영화 제작자와 제작자의 교류와 교육을 촉진하여 분권화에 기여하고자 합니다. FECILS는 이러한 활동을 통해 코킴보 지역에 영화 전시 공간을 마련하는 것 외에도 새로운 관객을 창출하는 데 초점을 맞추는 문화 행사로 자리매김하고자 합니다. FECILS 2025는 지역 코뮌의 다양한 장소를 대상으로 시청각 홍보 프로그램을 제공합니다.
The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!
CHECK OUR TRAILER HERE :
https://vimeo.com/126007311
Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;
We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.
Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.
The Green-Go Short Film Contest is generously supported by the European Commission.
This year we are awaiting short films (and Testimonies!) in the following three categories:
1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)
The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.
The festival takes place in Srem, once a year.
