La mission du festival est de diffuser la connaissance de l'art cinématographique, notamment sous forme de courts métrages, afin de montrer au public tous les aspects du cinéma international contemporain.
La Hollywood Academy soutient le Festival international du film de Huesca en le reconnaissant comme finaliste pour les Oscars dans la catégorie du meilleur court métrage de fiction. L'Académie espagnole des arts et des sciences du cinéma le reconnaît également pour les Goya Awards.
http://www.oscars.org/sites/default/files/88aa_shorts_festival_list.pdf
Revolution Me Film Festival vous propose une nouvelle génération de cinéastes. Il est important que chaque artiste de chaque culture défenne quelque chose à sa manière unique, pour créer des histoires qui peuvent changer le monde.
Le monde du cinéma/de la télévision est en constante évolution et il continuera de croître. Mais qui est à la tête de ce nouveau changement ? Les cinéastes, les scénaristes, les acteurs, les producteurs et les réalisateurs ont une voix et il est important d'influencer nos communautés avec nos histoires.
Le Revolution Me Film Festival souhaite que les nouveaux cinéastes émergents se réunissent et changent le monde. Nous avons besoin de plus de diversité, nous avons besoin de plus de voix, nous avons besoin de plus de femmes derrière la caméra et d'être assises sur le fauteuil des directeurs. Ce festival du film est ouvert à TOUS !
Bucharest International Film Festival is a competitive festival, dedicated primarily to international feature-length films. The festival aims to promote copyright movies and low budget films.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.
Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.
The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.
The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.
2020 Festival Schedule (Screening Schedule Coming Soon)
Le Festival international du film afro « Ananse » vise à rendre visibles les aspects culturels et sociaux de la population noire. Travailler dans le cadre d'un circuit qui permet aux nouveaux cinéastes de faire connaître des mouvements alternatifs pour réaliser des vidéos sur les personnes d'ascendance africaine dans le monde entier.
« Ananse » est le premier festival qui invite les cinéastes de tout le pays à créer des espaces visibles des productions représentant les points de vue des communautés noires.
Le London International Animation Festival présente fièrement toute la gamme de l'animation créative, montrant que l'animation est pour tout le monde.
Fondé en 2003, LIAF vise à dissiper l'idée fausse populaire selon laquelle l'animation n'est que des dessins animés pour les enfants en projetant la plus large gamme possible de films actuels intelligents, divertissants et provocateurs du monde entier, ainsi que des rétrospectives et des sessions spécialisées de pays et animateurs qui ne suscitent normalement pas une telle attention.
Notre festival annuel de 10 jours comprend des avant-premières de gala, des rétrospectives, des questions et réponses avec des cinéastes, des ateliers, des votes du public et la projection du Best of the Festival.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
Our mission:
To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers
We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.
London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing
Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com
CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.
Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.
To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.
Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.
We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.
We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)
HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system
Kanyakumari International Film Festival
Celebrates its 4th year !
Event Type: Live Screening of Films from worldwide and Connected Programs including Film Making Workshops, Film Seminars, Film Appreciation Camps and Exhibitions.
The call for entries for the film festival is now open!
Screening Categories:
Feature Film Over 60 Minutes
Long Documentary Over 60 Minutes
Long Animation Film Over 60 Minutes
Long Experimental Film Over 60 Minutes
Music Video Over 60 Minutes
Short Film Under 60 Minutes
Short Documentary Under 60 Minutes
Short Animation Film Under 60 Minutes
Short Experimental Film Under 60 Minutes
Music Video Under 60 Minutes
AFFIRMER LES DROITS DES FEMMES est un projet issu du Festival de Malaga, en collaboration avec la réalisatrice de documentaires Mabel Lozano et le département de l'égalité des chances de la mairie de Malaga, en tant qu'outil de protestation et de plaidoyer. Cette section a été créée dans le but d'explorer et de traiter les problèmes qui sensibilisent la société aux droits des femmes chaque année.
Lancée en 2008, cette section du Festival de Malaga en est à sa 19e édition. Le projet a un double objectif : mettre en lumière les injustices auxquelles les femmes continuent de faire face au 21e siècle simplement parce qu'elles sont des femmes, et promouvoir et soutenir les films créés par des femmes.
En affirmant les droits des femmes, nous avons attiré l'attention sur les défis auxquels les femmes sont confrontées dans différentes régions du monde. Aujourd'hui encore, il existe de nombreux endroits où les femmes et les filles doivent se battre quotidiennement pour leur survie. Dans ces régions, les pratiques traditionnelles et les normes culturelles entravent souvent leur développement personnel et social, les empêchant d'atteindre l'égalité avec leurs homologues masculins.
Concorto Film Festival is addressed to cinephiles, both general audience and professionals.
The purpose is to promote short films and to generate contacts among audience, young directors and professionals.
Étant donné que le festival international de courts métrages « Ciudad de Soria » considère à tout moment le cinéma de courts métrages comme un capital et considère comme essentielle la diffusion de la culture, notre objectif est de promouvoir en tant que moyen d'expression audiovisuelle, la contribution à la reconnaissance et à la diffusion. Ce format doit faire partie intégrante de CINEMA.
Le New York State International Film Festival est situé au cœur de New York, à Albany, au Linda Performing Arts Studio.
Depuis 2016, nous avons projeté plus de 400 courts métrages du monde entier.
Chaque année, nous mettons en relation les cinéastes avec leur public par le biais de courts métrages, et nous aimerions remercier tout le monde de nous avoir rejoints ! Nous aspirons toujours à devenir l'un des plus grands festivals de films du pays. Nous sommes un festival international de courts métrages.
Le festival invite des personnes de toute la région de la capitale de New York et du monde entier.
Tout le monde est invité à inscrire ses courts métrages.
Nous soutenons également les étudiants et les cinéastes débutants. Nous encourageons tous les types de documentaires, d'animation, de théâtre, de comédie, d'expérimentation, de vidéoclips et de courts métrages d'horreur.
Les films seront visionnés par le public pendant le festival. Nous organisons des panels de questions-réponses tout au long du festival. Notre objectif principal est de célébrer l'art avec vous et votre public. Il est donc important que vous vous amusiez !
