FesticineKids 27은 카르타헤나 데 인디아스에서 열리는 국제 어린이 및 청소년 영화제로, 어린이와 청소년을 위한 콜롬비아, 라틴 아메리카 및 세계 영화의 제작 및 배급을 강화하기 위해 노력하는 영화 공모전입니다.
2025년, FesticineKids는 소녀, 소년, 청소년을 위한 영화를 강조하고 기념한다는 동일한 정신을 담아 27회를 맞이합니다. '우리 아이들의 가치'라는 문구가 슬로건으로 선정되었습니다. 이 컨셉은 어린이와 청소년이 환경 변화의 주체가 되어야 할 책임을 인식하도록 유도하기 위한 것입니다. 어린이와 청소년은 지구와 주변 인류, 동식물, 방문 장소에 대한 보살핌을 장려해야 하는 미래입니다. 아프리카 영화와 원주민을 대상으로 한 영화에 대한 경향.
FesticineKids 27의 프로필을 만들 때 스크린은 소녀, 소년, 청소년이 합류하는 지점으로 문제화됩니다. 영화를 감정, 감정, 신념이 표현되는 시나리오로 가정함으로써 소녀와 소년, 청소년이 영화가 자신에게 어떤 영감을 주고, 영화에서 무엇을 추출하는지, 그 의미를 이해하면서 영화가 자신의 삶과 환경, 자신이 원하고 꿈꾸는 장소와 평행하게 어떤 위치에 있는지 궁금해하도록 하는 것이다.
또한 성인, 학부모, 교사, 문화 및 영화 관련 당국이 시청각 미디어, 특히 영화와 긴장 및 상호 작용하는 트레이너가 되기 위한 역량 강화의 필요성에 대해 생각해 볼 수 있는 기회이기도 합니다.
WHY THIS AWARD PRIZE NACIONAL DE CORTOMETRAJES "JAIME OSORIO GÓMEZ"
Community of Viterbo Caldas, has not been sufficiently fair or not had taken seriously the importance that has for a municipality that one of their children has such an impact in a trade, or art, and even more so at levels that managed it to do the Mr JAIME OSORIO GÓMEZ, who was born in ViterboCaldas, on March 7, 1947 and studied law at the Autonomous University of Colombia.
In the 1970 began to conduct business and to court political documentaries, such as Chile does not surrender, hell. He was a professor at the National University of Colombia and the school of cinema and Television of San Antonio de los Baños in Cuba, in addition to representing the Colombian producers in the Board of Directors of Proimágenes in motion. He directed the medium-length films all rights reserved, ceremony of the Benkuna and life or death, where are already insinuating clearly the characters of confession to Laura. In the 1980 was the producer of tropical snow, the Emberá and my Macondo and was Assistant Director and production of two films by Lisandro Duque: Visa USA and miracle in Rome. In 1990 he participated in the lab of the Sundance Institute directed by Robert Redford with the confession project scripts to Laura, which a year later became his debut film. In 1991 he was general producer of Nazca, series television Española, shot in 21 countries of Latin America, in addition to production of the film l'enfant du Bont du Monde for French television. But would miss more things: was the co-producer of the Virgin of assassins, Barbet Schroeder; Producer and actor of Maria full of grace of Joshua Marston and also produced La Sombra del caminante of Ciro Guerra. At the time of his death he was working on multiple film projects in various stages of production, such as Satan, directed by Andi Baiz; Child's play, directed by Carlos César Arbelaez; The taxidermist, directed by Luis Alberto Restrepo; the project colors of the mountain, also of Carlos César Arbelaez, and the feature film time of the Lions, written by himself and Jaime Escallón Buraglia. "Those who had the pleasure to shake his hand, understand the size of the huge loss that took the Colombian cinema with his departure" one of the people who have contributed most to our film to reach the upper echelons; for all the above we got in the task of creating the "Prix national of short films JAIME OSORIO GÓMEZ". Posthumous and well-deserved tribute to the mentioned in question.
2nd edition
Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees
Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban
Mission / description MUFF:
The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.
에서에세 문화협회는 “코르토디노 영화제 디노 드 로렌티스 2025 - XV 에디션” 대회를 발표합니다. 이 공모전은 디노 드 로렌티스의 고향에서 디노 드 로렌티스의 모습과 작품을 기념하고 기념하고자 하는 열망에서 비롯된 대회입니다. 나폴리 대도시, 베수 비아 지역, “조르지오 데 키리코 예술 및 커뮤니케이션 중등 학교”, 이 지역의 다른 중등 학교, 베수비아 및 캄파니아 지역의 주요 문화 협회가 이번 행사에 협력합니다.
따라서 이 이니셔티브의 주된 목적은 저명한 영화 부문에 진출한 젊은 영화 제작자들을 만나고, 대립하고, 지식을 쌓을 수 있는 기회를 만들고, 불우한 사람들을 포용하고 캄파니아 및 국제 재능의 작품을 연구하고 홍보함으로써 영화 문화를 홍보하는 것입니다.
연대의 세계, 문화 단체 및 학교의 존재는 특히 젊은이들의 세계와 연결하려는 목적을 보여주는 가장 분명한 신호입니다.
코르토디노 영화제 XV 에디션은 2025년 9월-11월에 개최됩니다. 행사의 도시, 장소 및 날짜는 추후 안내될 예정입니다.
Let us be curious! And let us open to this universe of creativity, inventiveness and diversity that is the short film always little present on our screens, small or big!
More than 200 movies will be presented to make you laugh, amaze you, annoy you, surprise you and plunge you into the wealth of the short film! Movies coming from 45 countries, as well as from all France and from the Region Midi-Pyrénées, from recognized directors or in the process of the future.
Torremolinos International Fantastic Film Festival has become in a few years in one the most important events at Costa del Sol (Spain). Place in the Torremolinos' exhibition and conference centre: theaters with 240 and 460 people capacity. Organized by the Cultural Association "Cinefans", the festival it's now a reference of innovate and transgresive ideas. It starts at Halloween (with its own Halloween night) and it includes galas, shows, horror movies marathons, charitable sessions, guests and honored films for their anniversary.
The short films taking part in the competition must necessarily tackle a social topic, since the Festival aims at raising awareness on contemporary issues such as social exclusion, migration, gender violence, unemployment, fundamental rights, etc. Any short film which shows these or other social issues will be accepted in the Festival, notwithstanding the main topic of the short films may not have a particularly social nature.
Brainwash, since 1995, has delighted audiences with a selection of the bizarre, the unique, and just plain old well-made movies from independent producers all over the world. With an eye toward the abstract, the innovative and the weird, Brainwash saluted it's 25th Silver Anniversary in the 2019 season, and, we're still going strong. We have consistently attracted entries we curate to be able to display some of the most cutting edge cinema from up and and coming directors, actors, producers and crews consistently year after year. So please send us yours this year!
Some call it the “Lady Tickler,” “Lip Spinach,” or even, the “Cookie Duster.” Formally, it is known simply as “The Moustache.” In all of its forms it represents a man’s individuality and inner strength. Whether a full, furry and lustrous lip warmer or a smooth, sleek line of suave sophistication weaving it’s way across a dude’s upper lip, a man’s Moustache is an indication of his robust heart and the very soul of his being.
As part of the annual Facial Hair Fest—a celebration of facial hair in Portland, Maine—we are now looking for submissions for the International Moustache Film Festival (IMFF). Films will be screened in several venues throughout the week of March 21 through March 28, 2015,.
The Facial Hair Fest features all sorts of delightfully hairy good times, including the 8th annual Stache Pag (a moustache pageant), the Facial Hair Farmers Market, the Can-Am Beard and Moustache Competition, and of course, the IMFF. A number of IMFF screening blocks will be held, each dedicated to a different kind of stache. And despite the official name of the festival, beards are welcome. They are, after all, the less refined cousin to the moustache.
Films will be selected based on two criteria. First, we want good films. Second, we want films that highlight conspicuous, outstanding, and awesome facial hair. It's that simple.
Past years have seen the IMFF covered in the global press, including: Movie|Line, EW.com, The Guardian, BBC, Reuters, The Huffington Post, Boston.com, Yahoo.com, The Times of India, Buenos Aires Herald, DownEast Magazine, The Tribune, American Mustache Institute, The Beard Club and Stuff.Co.NZ.
Have a main character with a nice stache? Send us your film.
A documentary about hippies with beards? That's good to.
A film about Salvador Dali or Jesus? Totally qualifies.
A film about any of the following:
Hippies. Prophets. Musicians. Mountain Men. Cops. Robbers. Firemen. Old Fashioned Strong Men. Cowboys. NFL Quarterbacks. Private Investigators. Scientists. Political Leaders. Pirates. Canadians. Wizards. Dwarves. Dads. Cavemen. You. Your friends. Your enemies.
So send us some films, and please consider attending the International Moustache Film Festival!
The Unreal Film Festival is an annual film competition held in September in Memphis, TN. The festival accepts both short and feature length films from all over the world, but only films that fall under the horror, sci-fi, and/or fantasy film genres.
The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.
People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.
Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.
These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.
As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.
제9회 도야마국제영화제는 2020년6월에 도야마현에서 개최됩니다. 작년에 우리는 큰 성공을 거두었으며, 전 세계 영화 제작자의 비전을 이 작은 공동체와 다시 한번 공유하게 되어 기쁩니다. 제출물은 2020년5월 15일까지 공개됩니다.
제2회 도야마 국제 영화제는 일본 도야마 시골 현에서 개최되었습니다. 이 지역의 몇몇 영어 선생님들에 의해 시작되어 일본뿐만 아니라 전 세계 많은 사람들에게 다가갈 수 있기를 바랬습니다. 그리고 우리는 분명히 그랬습니다. 이 축제는 30 개국에서 100 개 이상의 제출과 엄청난 성공을 거두었습니다. 첫 해에 10 개의 제출에서 꽤 한 단계. 앞으로도 일본의 이익을 위해 앞으로도 계속 노력하겠습니다.
제1회 도야마 국제 영화제는 쇼핑센터 안의 작은 방에서 약 70명까지 수용할 수 있습니다. 이듬해 도야마시 (富山市) 에서 독립 소유의 장소인 보데가스 맘보 (Bodegas-Mambo) 에서 개최되었습니다. 약 80~100명의 게스트가 이 영화를 보러 오고 있습니다. 올해는 더욱 확대되어 일본의 영화 커뮤니티를 더욱 넓혀갈 수 있는 장소를 마련하고자 합니다.
올해는 전 세계에 진출하여 자선단체의 이익을 위해 단편영화를 제작하고 도야마현의 영화 문화를 창조하는 것을 도모하고 있습니다.
참고: 시간 제약으로 인해 10분 이상 실행되는 영화는 허용되지 않습니다. 그러나 단편 영화의 모든 장르가 전시로 간주됩니다.
Dallas Videofest는 댈러스 비디오 협회가 주최하는 주요 행사로, 우리 사회의 창조적 인 매체 및 문화적 힘으로서의 비디오에 대한 이해를 증진시키고, 비디오 및 전자 예술 분야에서 일하는 텍사스 예술가들의 작품을 지원하고 발전시키는 데 전념하고 있습니다. 비디오 협회는 프로그램 및 정보 서비스를 통해 예술가, 학생, 교육자, 비평가, 비디오 및 영화 제작자 및 관심있는 대중에게 교육하고 알리기 위해 비디오 매체의 창의적인 가능성을 더 잘 이해하고 감사하며 평가할 수 있도록 합니다. 또한 자신의 작품의 우수성을 자극하고 대화와 비판적인 토론을위한 기회를 제공하기 위해 지역 비디오 아티스트의 작업을위한 포럼을 제공 할 것입니다.
Ars Independent Festival 2019 will be the 9th multimedia festival of film, animation, video games and music videos. The upcoming edition will take place in Katowice, between the 24th and 29th of September 2019.
The festival is searching for what’s cool in young, debuting, contemporary audio-visual culture. It’s not afraid to watch videos with 27 views on YouTube, it’s missing the “least popular” sorting option on itch.io and considers Festival Scope Pro decidedly “too mainstream”.
The heart of the festival are four international competitions, in which the audience decides about the awarding of prizes. The Black Horse of Film (feature films from all over the world) and the Black Horse of Animation (short features) present the cinematographic debuts by directors from the entire world, often as their Polish premieres. The Black Horse of Video Games and the Black Horse of Music Video are devoted to new games and music videos.
Additionally, every year festivalgoers are treated to: screenings of films, animations and music videos, video game exhibitions, virtual reality and new technologies, discussion panels and Q&As with artists, concerts, live acts and musical afterparties.
In previous years, the festival hosted a variety of artists from all over the world, including Béla Tarr, Nina Menkes, Phil Mulloy, Laila Pakalnina, Bruce LaBruce, Tami Tamaki, Stephen „M.O.O.N.” Gilarde, Jakuba Dvorský, Mariola Brillowska, Piotr Dumała, Arkadiusz Jakubik, Bodo Kox, Łukasz Barczyk, Sos Sosowski, Wiktor Stribog and Władysław Komendarek.
The event is organized by the culture institution Katowice the City of Gardens and the City of Katowice.
