The Filadelfia Latin American Film Festival will showcase the extraordinary and innovative work of Latin American and Latino filmmakers. This is the first Annual Film Festival in the region to focus exclusively on the exhibition of Latin American and Latino film and media artists.
The Filadelfia Latin American Film Festival's mission is to showcase and nurture established and emerging creative Latin American and Latino filmmakers; to promote and celebrate the richness and diversity of Latin American/Latino cultures and experiences, and to foster cross-cultural understanding and dialogue.
The Filadelfia Latin American Film Festival will include screenings of ground-breaking works from all genres: short film, narrative, documentary, animation and full feature films. Festival programs will attract a diverse audience, developing a new space in the Philadelphia region where filmmakers, actors, producers can meet with other artists, engage with audiences and present and discuss innovative work.
Through screenings, public discussion groups (both virtual and in person), workshops, lectures and special events, The Filadelfia Latin American Film Festival will engage the region’s diverse communities through the universal language of film creating critical connections to shared experiences and cross cultural understanding at both the national and International Levels.
The Filadelfia Latin American Film Festival will enrich the cultural resources of the Greater Philadelphia region by increasing access to and appreciation of Latin American cinema, still mostly unseen outside of major film producing countries like Mexico, Brazil, Argentina and Cuba. For the first time, audiences in our region will have consistent access to a body of work drawing its subject matter from a rich historical, social, religious and political history and artistic legacy.
The Filadelfia Latin American Film Festival is spearheaded by Bia Vieira, founding Executive Director, and David Acosta, founding Program Director and founding board members Jose Benitez, Pedro Ospina and Nina Moreno.
Founded in 2010, China International New Media Short Film Festival (hereinafter referred to as “CSFF”) is the only nationally-recognized international short film festival in China, which is hosted by National Radio and Television Administration and Shenzhen Municipal People’s Government, supported by China TV Artists Association, Radio and Television administration of Guangdong Province, organized by Culture, Radio, Film, Tourism & Sports Administration of Shenzhen Municipality, Guangming District People’s Government of Shenzhen Municipality and Shenzhen Media Group, and executed by Shenzhen Shenguang Media Co., Ltd.
The CSFF aims to encourage the creation of outstanding new media short films across the globe, to seek and support young film and television talents, to incubate high-quality film and television creative projects, to facilitate the integration and development of film & television industry and new media industry, and to promote cultural communication, exchanges and cooperation internationally.
The 12th CSFF will be held from 5 December to 12 December 2021 in Shenzhen.
CINEfoot - International Football Film Festival is the first film festival in Brazil and Latin America with unique curatorial and conceptual approaches about football. The event aims the promotion, diffusion, reflection and appreciation of football films from all over the world.
MAshRome Film Fest’s aim is to promote and divulge Mash Up and Remix culture as well as to direct the audience’s attention to a selection of audiovisual works from all over the world, created thanks to the exploitation of new and experimental techniques -Mash Up/Remix- able to represent contemporary artistic expressions.
The BioBioCine International Festival is an intercultural gathering of knowledge and wisdom expressed through cinema. Its goal is to become a space for dialogue and reflection while promoting, supporting, and valuing national and international cinematography from a territorial and identity perspective, within the framework of its annual meeting.
The BioBioCine International Festival invites submissions from all countries and cultures for its eleventh edition. The festival's program includes competitive and non-competitive categories for feature films and short films, both fiction and non-fiction, with an emphasis on auteur cinema, emerging filmmakers, experimentation, intercultural dialogue, and first nations.
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The Shortcup Film Festival is the world cup of short films. The selected films are distributed in 4 days of exhibition, where each film represents their country and the popular jury votes definies the final round where the winner is chosen in the fifth day.
The festival's main purpose is to merge a competitive film showcase with the casual ambient of a bar; this year, in it's 6th edition it will happen in 4 cities simultaneously, those cities are:
- São Paulo, Brasil
- Bogotá, Colômbia
- Monterrey, México
- Buenos Aires, Argentina
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VI Shortcup, el festival de cine que se lleva a cabo en bares en un formato deportivo por grupos de clasificación, acontecerá este año en 4 ciudades simultáneamente, donde el ganador es escogido por el voto popular.
Las cedes del campeonato de este año son:
- São Paulo, Brasil
- Bogotá, Colômbia
- Buenos Aires, Argentina
- Monterrey, México
This festival only admits submissions from SPANISH NATIONALS. No film-makers from any other nationality will be allowed to submit their films to this festival.
Curt.Doc Vidreres International Short Documentary Festival is a cultural event devoted to short documentary film making. The aim of the Festival is to be an exhibition platform and meeting point for the general public, professionals and filmmakers from around the world, promoting documentaries and their makers in a innovative and accessible format.
CINEfoot - International Football Film Festival is the first film festival in Brazil and Latin America with unique curatorial and conceptual approaches about football. The event aims the promotion, diffusion, reflection and appreciation of football films from all over the world.
12th. Children's Audiovisual Festival (FICAIJ), 2021-2022
Venezuela-Colombia
The Children's Audiovisual Festival, known by its acronym FICAIJ, was born in Mérida, Venezuela, in 2010, and has consolidated itself after 12 years as one of the most important windows for exhibiting quality educational and alternative content as well as commercial content for children, adolescents, youth and families in the country and the region.
After having attended to more than 41,385 participants in its 11 previous editions which have impacted directly in 6 countries of the world. Facing the panorama of pandemic that we are still living through the COVID-19, we assumed the challenge of transforming ourselves and activating our 12th edition in the web with main incidence in the countries of our region. Additionally, we are planning to have some in-person screenings in Venezuela and Colombia.
History:
More than 1,506 short and long films from 81 countries around the world were broadcast on FICAIJ's screens, and more than 392 people, including children, adolescents, young people and adults, evaluated and judged these films.
Our jurors came not only from Venezuela but also from 9 other countries: Argentina, Brazil, Cuba, Ecuador, Italy, Kenya, Mexico, Spain, and South Africa, participating in representation of their places of origin.
Philosophy:
We promote audiovisuals from a reflective and productive viewpoint, inviting children, adolescents and young people to take an active role as creators and prosumers.
Mission:
FICAIJ seeks to encourage the creation, production, exhibition and distribution of quality content for and by children, adolescents and young people in the region, stimulating the protagonism of children in all these processes.
2nd. Laboratorio FICAIJ:
With the double purpose of strengthening, on the one hand, the production of children, youth and family contents at a regional level, and on the other hand, the training of teachers in education with and for media, a more evident need in view of the digital education imposed by the pandemic, the organization of FICAIJ assumes the challenge of developing the 2nd. edition of its Laboratorio FICAIJ, a training space aimed at the sector of production of contents for Latin American boys and girls and at the sector of education.
More information:
www.genbura.com
www.facebook.com/ficaij
www.instagram.com/ficaij
Sunscreen is known for its friendly atmosphere in a sun-kissed waterfront setting in the arts-centric city of St. Petersburg, FL. For 18 years the festival has screened top-notch indie films, provided our filmmakers with quality workshops and panels packed with Hollywood talent, hosted great parties, and has been the top film festival in the St. Petersburg, Clearwater, Tampa, Florida area. Sunscreen is consistently ranked among the top 100 reviewed film fests on Film Freeway out of over 9,000 festivals.
The Sunscreen Film Festival was one of 23 festivals sponsored by the Academy of Motion Picture Arts & Sciences (the Oscars) in 2013-2014, named one of the top 25 “coolest’ film festivals by MovieMaker Magazine and Best Film Festival in the Tampa Bay Area by Tampa Bay Magazine.
The Sunscreen Film Festival is organized and presented by the Sunscreen Film Society., a nonprofit 501(c)(3) charity dedicated to education, economic development, informing the public about the art of visual storytelling, enhancing opportunities for local filmmakers to develop their craft and art, and increasing the public’s awareness and support of local filmmaking as a cultural and economic asset.
The Sunscreen Film Festival has grown from its first festival in a local art gallery in 2006 to an internationally recognized event in St. Petersburg, FL and Los Angeles, CA. The festival has become known for its commitment to diversity, taking chances on creative, edgy films; and being a filmmakers' film festival. Celebrating diversity is a core value of the city and the festival seeks each year to showcase that value.
One aspect that makes Sunscreen unique is that our celebrities and special guests participate in workshops, classes, or other events supporting the festival’s mission. Everyone that attends Sunscreen is accessible and easy to interact with. Many filmmakers love the collegial atmosphere during the festival and appreciate the chance to learn from one another. Sunscreen provides around a dozen workshops during the festival each year.
Our goal is to encourage the creation, production, and exhibition of creative, independent film in Florida through our educational programs and public screenings, thereby increasing awareness and support of local filmmaking as a cultural and economic asset.
Diversity Statement: Sunscreen Film Festival
At the Sunscreen Film Festival, we believe that diversity is essential to the vitality and creativity of the film industry. We are committed to fostering an inclusive and equitable environment where filmmakers from all backgrounds, perspectives, and experiences can showcase their unique voices and stories.
Our festival celebrates the richness of human diversity by embracing filmmakers of diverse races, ethnicities, genders, sexual orientations, religions, abilities, and socio-economic backgrounds. We strive to create a platform that reflects the world we live in and presents a diverse range of narratives and perspectives to our audience.
We are dedicated to promoting equal opportunities and breaking down barriers for underrepresented voices within the film industry. We actively seek out and support filmmakers who have traditionally been marginalized or underrepresented, including but not limited to women, people of color, members of the LGBTQ+ community, individuals with disabilities, and those from different cultural and socio-economic backgrounds.
To ensure a fair and inclusive selection process, we are committed to assembling a diverse panel of judges and industry professionals who understand the importance of representation. We continuously strive to eliminate any biases that may exist in the evaluation and selection of films, giving equal consideration to all entries based solely on their artistic merits and storytelling qualities.
In addition to our programming, we are dedicated to providing opportunities for networking, mentorship, and professional development to filmmakers from underrepresented communities. We actively collaborate with organizations and initiatives that share our commitment to diversity and inclusion, working together to create a more inclusive film industry.
We invite filmmakers, industry professionals, and film enthusiasts alike to join us in our mission to champion diversity, foster inclusion, and promote meaningful dialogue through the power of cinema. Together, we can create an environment where all voices are heard, respected, and celebrated.
Join us at the Sunscreen Film Festival, where diversity is at the heart of our programming and the driving force behind our commitment to shaping a more inclusive film industry.
Sunscreen Film Festival
St. Petersburg, FL
THE CATALONIA INTERNATIONAL SOCIAL FILM FESTIVAL has as his basic aims the dissemination and promotion of films that contribute to the knowledge of world cinema Social Film, on Human Rights and Civil Rights
The first AfryKamera Film Festival was organized by FilmGramm Foundation in cooperation with the South African Embassy during the months of April-June 2006. It aimed to use cinematography to bring Africa to the attention of the Polish public. The 1st AfryKamera premiered in Warsaw and also ran in Krakow, Poznan, Lodz, Torun and Konin. The unbelievable media interest and good ticket sales during the first festival in 2006 confirmed our belief that Africa is a theme of immense interest to a growing number of people. Since the very 1st edition, AfryKamera has been well covered in the Polish media, which confirms the great marketing potential of such an event for Africa in general, as well as, for sponsors and patrons.
As it stands AfryKamera is the first African Film Festival in Central and Eastern Europe as well as the largest African-themed event in Poland and the wider region.
AfryKamera has managed to occupy a niche in the film festival market – although there are many international film festivals, they generally show a limited range of African films. AfryKamera is therefore the only festival in Poland dedicated purely to films from the continent. In the past few years the festival has decided to explore new avenues not only in the art of cinematography, but also in the presentation of African art, music, and culture.
The main events of the African Film Festival AfryKamera take place in Warsaw, Poland, traditionally in either Kino Luna or Kinoteka, the capital city's premier arthouse cinemas. The event in 2018 will last 10 days and presents 15-25 full length features and documentaries as well as some 20 short films from around the continent and from the African diapora. The key motto of the festival is "Made in Africa", as the focus is put on the quality of moviemaking on the continent and the enhanced capacity to make world-class movies.
The shared memory center for democracy and peace (CMCDP) is a national human rights association with international extensions whose fields of action are:
- Issues related to memory and shared memory as knowledge and expertise;
- Promoting a culture of peace, coexistence and democracy;
- The fight against all forms of extremism;
- Defending human rights and contributing to the dissemination of their culture;
- Questions of identity and linguistic and cultural diversity.
- The consolidation and development of the values of solidarity and constructive dialogue between peoples and nations;
- Support for all generations of human rights.
It organizes an annual film festival in Nador, called the Festival International de Cinéma et Mémoire Commune (FICMEC), dedicated to the theme of memory.
In 2025, the theme of the 14th edition of the festival will be “The Memory of Peace”.
While some define peace as non-war, others go so far as to oppose it to all forms of violence. Although the preachers and emissaries of peace are constantly calling for :
- reconciliation between belligerents and warmongers to put an end to hostilities or ward off aggression and tip the balance in favor of collective intelligence;
- overcoming the stigma of the past through far-sighted dialogue and harmonious international relations;
- the promotion of a universal culture of pacifism through, among other things, the inclusion of the values of tolerance and fraternity in educational curricula;
- unanimous ratification of UN resolutions;
the resurgence of political, economic, religious and doctrinaire disputes has overtaken the voice of reason, compromising good-faith initiatives and plunging the international community into moral disarray.
The loss of life and devastation caused by any armed confrontation can be counted or at least estimated in post-war periods. Quantifiable, they provide information on the seriousness of the human and material damage caused or suffered. But who can accurately determine the impact of psychological trauma, accurately diagnose the wounds of the soul, and meticulously assess the after-effects of violence?
Memory wounds are difficult to suture in the short or medium term. To purge resentment, bend vindictiveness and soothe tormented consciences, taking the long and steep road to reconciliation seems the ideal solution for turning the bloody pages of the past. Memories, stories of resilience, forgiveness and solidarity, as well as shared painful experiences, are the best way to get rid of animosity and make way for amnesty.
The “Memory of Peace”, a concept that focuses on the elements of the past that call for appeasement and the building of a common future, has as its main foundations reconciliation and mutual understanding, learning from the mistakes of the past, anchoring the culture of non-violence in people's minds, and above all transmitting this memory to future generations through education, testimony and the arts, particularly cinema, which is a powerful vector of emotion and empathy.
In the light of the above, films will be selected that deal with one of the following themes:
- Reconciliation after war or genocide.
- Mutual understanding to overcome hatred and suffering and rebuild human and social bonds.
- Forgiveness and resilience
- Peace movements
- Emblematic figures of peace
- Learning from past mistakes
- spreading the values of justice and tolerance
- Anchoring the culture of non-violence in individual and collective memories
- Community initiatives that model peace and social cohesion
- Peace education through pedagogical approaches
As this list is not exhaustive, the festival management welcomes films dealing with other peace-related issues.
Suggest to visit the official website of the festival: www.gbiff.org
Please also follow us on
Twitter: @theGBIFF
Facebook: www.facebook.com/theGBIFF
Aullido International Video Show CONVOCA to present works to select those who will integrate their 9th International Video Clip to be held in March 2021 in Mexicali, Baja California, Mexico.
The Universe Multicultural Film Festival seeks to bring to the best of classic and contemporary filmmaking from the world; Committed to enlightening the public with a unique international film program, a forum for cultural understanding and enriching educational opportunities. The Festival focuses on showcasing diverse cultural and heritages films, supports the creation and advancement of innovative and artistic cinematic works of both emerging and seasoned filmmakers and proudly embraces the passion, independent spirit and vision of these talented artists. With the integration of the local community and educational institutions into all aspects of the Festival, the Festival stimulates an interest in the study and appreciation of film and encourages people of all ages and background to participate and share the harmony universe.
