3ª edition of horror and gore short film festival organized by Fester Entertainment.
A festival for lovers of horror and good rock, madness, dandruff and hooligan cinema.
Migration in Transit is a global festival that harnesses the power of cinema to delve into the complexities of migration, fostering empathy, inclusion, and intercultural dialogue. This event addresses multiple dimensions of human mobility, including:
Internal and International Migration: Movements of people within a country or across international borders in search of better opportunities or living conditions.
Refugees and Asylum Seekers: Individuals fleeing persecution, conflict, or human rights violations who seek protection in other countries.
Internally Displaced Persons: Those forced to leave their homes due to conflict, natural disasters, or violence but remain within their country’s borders.
Forced Migration: Displacements driven by war, persecution, economic crises, or climate disasters.
Migration, Environment, and Climate Change: Stories highlighting how environmental degradation, desertification, and extreme weather events compel people to leave their homes.
With its main hub in Peru (Piura, Trujillo, Moquegua, Lima) and international screenings in Brazil, Venezuela, Argentina, Spain, Colombia, Mexico, and the United States, the festival celebrates the stories of individuals embarking on a journey in search of a better future.
The festival invites filmmakers, students, and media artists from around the world to participate by presenting documentaries, fiction films, animations, music videos, and short films that depict migratory experiences from diverse perspectives.
The Amiens Festival of Film on Affective and Sexual Education (FFEVAS), organized by La Fabrique d’Images, will hold its second edition from May 4 to 7, 2026.
As the first festival in France dedicated to affective and sexual education through cinema, it presents an international selection of short films (fiction, documentary, animation) addressing themes such as consent, gender equality, sexual and gender diversity, sexual health, STI prevention, and the fight against gender-based and sexual violence.
Selected films will be screened before professional juries as well as youth juries. Several awards will be presented.
Animation Ciclos Shorts Fest is an international film festival that celebrates animation in all its forms, including traditional techniques, 3D, stop-motion, and experimental styles. Its country of origin is Colombia, but it is created for the whole world. Animation Ciclos Shorts Fest aims to showcase national and international audiovisual talent, promoting creativity and innovation among animators and filmmakers. The submission period for productions will end on April 16, 2025. Collectives, students, filmmakers, producers, enthusiasts, and the general public from all countries are welcome to participate in the competition.
Festival Dates
1st May 2025
Submission Deadlines
Call for Entry Opens: 1st March 2025
Regular Deadline: 20th April, 2025
Final Deadline: 20th April, 2025
Submission Process
Films must be submitted through Google Drive link or Vimeo link. (Accessible)
Participants need to register online on the Avlokan Film Festival 2025 website.
Eligibility for Submissions
Open to Short films, Short documentaries, and Vertical shorts.
All the films Submitted by Film Makers to the Festival under Short Film, Short Documentary and Vertical Shorts created after 1st January 2023 will be included under the Competition Section of the festival program.
Engativá is the third most populous locality in Bogotá; however, it is one of the least developed in terms of culture and cinema. There is talk of the cultural movements in Bosa, Kennedy, Ciudad Bolívar, and Suba, but Engativá is not mentioned. We are organizing this event to put the locality on the national and international map, with a large-scale event and outstanding films from around the world. Join us in making Engativá the epicenter of cinema in Bogotá and turning the Engativá International Film Festival into one of the country's most important film events.
In this second edition, FINCI becomes Hybrid.
This 2025, the International Festival of New Independent Cinema (FINCI) calls on the international audiovisual industry to register their audiovisual projects, which will be held online from September 20 to October 18, 2025, and in person during June and November in Buenos Aires, Mar del Plata, Mexico, and Spain.
MDM Film Distribution invites new independent filmmakers to submit their projects with the aim of having a new exhibition window for their projects and thus fostering the creative, negotiation, and distribution space. MDM gives new projects, new independent filmmakers the opportunity to be seen and for new audiovisual proposals to circulate within the audiovisual industry.
CALL FOR APPLICATIONS:
The call opens on January 30, 2025 and closes on April 20 at 11:59 p.m. (Argentina).
A total of 80 projects will be selected.
The projects can be seen through the festival's website, only during the festival period for those who access the FINCI online. Those who are in Mexico, Buenos Aires, Mar del Plata and Spain can enjoy the Finci in person.
On May 1st, the selected Mexican, Spanish, Buenos Aires and Mar del Plata projects can be seen on the Web and you can start buying tickets and access them in person. From May 2nd to July 18th, all the selected projects will be available online and you will be able to buy the content with a 20% Off. Those who access the Pre Finci will be sent the content starting on August 12th. Starting on August 20th, general FINCI ONLINE sales begin.
CATEGORIES:
FINCI#2 will have the following 8 categories:
- Feature films (up to 90 minutes - fiction)
- Short films (Fiction/Documentary up to 20 minutes)
- FINCI DOC (Feature films up to 90 minutes)
- FINCI pilot chapter (Fiction up to 50 minutes)
- FINCI female (Short films up to 20 minutes)
- FINCI LGBTQ+ (short films up to 25 minutes)
- FINCI fantastic (Short films up to 20 minutes) - science fiction-horror genre
- FINCI COAST (short films of 20 minutes feature films up to 90 minutes) - Mar del Plata
JURY:
The FINCI 2025 Jury is made up of those directors who won with their projects at FINCI 2024 with the aim of giving each of them more visibility and their projects more reach to the public and a community can be achieved in the audiovisual field. Also, that there are possibilities of connection. The objective of FINCI is to be able to understand that if there is a connection, between the juries, the selected ones, the spectators and me, we can all grow together since it is a festival that is made by everyone.
Feature Film Category:
Alejandro Gerber Bicecci
Graduate in Cinematography from the Centro de Capacitación Cinematográfica. He has written, directed and produced three fiction feature films: Vaho (2009), Viento aparte (2014) and Arillo de hombre muerto (2024).
She has been part of the writing teams of numerous series: The Cassez-Vallarta Case: A Crime Novel (Netflix), Stories of a Crime: Colosio Case (Netflix/Dynamo), María Félix, la doña (Televisa) Deep Drainage, The Lieutenant (TV Azteca), Cesar, the Story of an Idol (Disney / BTF Media); and the television series: The Eighth Commandment, Fortune, Camelia the Texan and The Traps of Desire (Argos TV), among others.
Vaho (2009) won the Jury Prize at the 10th Marrakech International Film Festival and Special Mention of the Jury at the 7th Morelia International Film Festival. Viento aparte (2014), premiered at the 29th Guadalajara International Film Festival; and screened at the festivals of Warsaw, Calcutta, Havana and Edinburgh. Won the Audience Award at the 18th Austin Film Festival Cine Las Américas.
Short Film Category:
Raul A Rodriguez
Born in Mexico City in 1996. He studied a degree in Communication with a specialization in Film at the Universidad Iberoamericana. His first short film, “Albatros” premiered at the 50th Huesca International Film Festival. His next short film, “Todavía te transformaré”, will premiere at the New York Latino Film Festival in 2024. He has been part of various independent projects, including short and feature films in Mexico. He participated in the inaugural residency of Bendfilm Basecamp 2024, where he was mentored by director Bing Liu, producers Christine Vachon and Effie Brown. He is currently in pre-production on his next short film: “Una fábula en el fin de los tiempos”. He is also developing a feature film script with his production company Antitrama.
Documentary Category:
Rod Ugalde De Haene
Rod is a director and writer interested in portraying the mystery that exists between the mind, nature and our bodies. He graduated from the Visual Communication degree at the Tec de Monterrey Campus Mexico City, his first opera, the documentary feature film "La voz arcana del corazón", premiered at the DocsMX 2023 festival and won the award for best documentary at the International Festival of New Independent Cinema (FINCI) 2024. His documentary piece "Para el Recuerdo" won the FILmamos contest within the framework of FILm, the European film festival of the FIL, Guadalajara 2023. He has premiered numerous short films at various festivals, highlighting "Ansiedad y Deseo" at the Morelia International Film Festival in 2021, and "Camellos en la Arena", at the Shorts Mexico and Fotogenia 2020 festivals. Some of the projects he has directed for television are "La vengancia de las juanas" for Netflix, "La Bandida" for Amazon prime, and "Verne: La isla misterio" for Disney +. He is currently working on the documentary "El descent a lo inexplicable”, a film selected for “Habitar el campo”, an Ambulante program for the development of projects led by Christiane Butchart. He is also developing the horror project “Peligro de muerte”, which was part of the “Feratum” residency for the development of fantastic scripts 2023. His poem “No es bastante tarde” was published by Casa País magazine and his short story “El gato, la araña y la cosa” by La sombra del Maderito publishing house. He is currently the founder of “Espíritu”, a publishing house for independent voices specialized in poetry, short stories and illustration. Since 2023 he has been practicing Butoh, a discipline he learned from the teachers Natsu Nakajima and Raquel Salgado. He teaches at the Tecnológico de Monterrey.
TV Pilot Chapter:
Sergio Sosa (Flixxo)
Sergio Sosa is a graduate of the Image and Sound Design degree (UBA). Since 2018 he has been part of the video platform and audiovisual production company Flixxo. He currently works as General Coordinator, managing the acquisition and production of content and Flixxo's participation in festivals and markets.
Category Female Cinema:
Sady Barrios
Producer certified by the National Institute of Paraguayan Audiovisual (INAP). Master of Distribution and Business in the Audiovisual Industry from the School of Cinematography and Audiovisual of the Community of Madrid - ECAM, Diploma in Cinematographic Production from the Ibero-American Center for Photo and Film Studies - CIBEF, Degree in Audiovisual Communication from the Autonomous University of Asunción. She was a Professor of the Higher Technical Degree in Cinematography at the Institute of Arts and Sciences of Communication (IPAC).
She has been working in the film, art and culture, media and advertising industry since 2006, supporting the development, production and dissemination of audiovisual projects. For several years she has participated in international film festivals and markets such as Oberá en Cortos, Ventana Sur, MAFIZ Málaga, Berlinale EFM, Series Manía, Cannes MDF, among others. She is the producer and director of the short film Hijas de Púa (2024), Producer of the short films Historias de Sudamérica (Oberhausen Selection, 2024), Otra Mano (Babel Film Festival Award, 2021), Production Coordinator of the TV Series Pequeñas Esperanzas II (2021), Production Assistant in Ejercicios de Memoria (2016), Art Producer at Mangoré, for the love of art (2014), AD of the feature film Libertad, la lucha por la Independencia (2011), Producer of the documentary Jesareko, for the international co-production series Parcerias entre Fronteras (2010). She was part of the Staff of the International Film, Art & Culture Festival of Paraguay, (2012, 2013, 2018) and the National Audiovisual Congress of Paraguay Tesape (2013), and of the programming department of Public TV Paraguay (2012).
LGBTQ+ Category
Nicolás Alvarez.
He graduated as a film director from the Universidad del Cine (Buenos Aires, Argentina). He directed “Violeta” (Best short film at BAFICI 2001 and Venice Film Festival). He premiered his first feature film as director “Lo Nuestro no funciona” (Bangkok Film Festival) at the Mar del Plata Film Festival in 2004.
Joaquín Ostrovsky. National actor graduated from IUNA (Buenos Aires, Argentina). He debuted with “Goce Artificial” (Buenos Aires, 1999). He acted in “Cerca” by Eduardo Pavlovsky (Madrid, 2002). In Spain he wrote and directed “Beautiful People” (2001), “Proyecto Aldo Pastur” (2003). She also directed “Kafka Kabaret” by Alfonso Pindado (Scena Contemporánea Festival, Madrid, 2002) and acted in “Silencio Banana y otros caprichos del Japón” (Scena Contemporánea Festival, Madrid, 2003).
In 2004 they met and began working together in film and theatre. In October 2024 they premiered “Yo nunca quise ser famosos” (I never wanted to be famous) a feature-length documentary at the Asterisco Festival, Buenos Aires (also selected in the ABC BAFICI Postproduction laboratory). They are currently developing a fiction film with which they have participated in the Queer Cine Lab in Malaga, PROMERCAT in Valencia and Residencia in Extremadura, Spain)
Category Fantastic Film
Macarena Dandrea Mohr
She studied film direction at the University of Cinema and graduated in 2013. She did her first job in film as a production assistant on the film Fermín, glorias del tango by Hernán Findling and Oliver Kolker. After the feature film, she was hired as a production assistant for her production company Función y Kuenta.
During that same year, she took a film direction course at the New York Film Academy film school. In 2015, she created alliances with the production company Magenta Films, which gave her the opportunity to work on her second feature film “Corazon Negro” by Juan Ribelli, covering the production area, and the series “Sofía” by Nicolás Tete. She also studies audiovisual TV production and scriptwriting with Pablo Culell and Jorge Maestro.
In 2016, she began working at the Lahaye post production company of Gabriel Lahaye developing content for Ibermedia. She worked as a production assistant for the Rebecca Films production company, placing audiovisual material at film festivals and created MDM films distribution, a production company that works nationally and internationally providing production services by placing audiovisual material at film festivals and seeking financing, film and TV markets, laboratories and pitch competitions for projects that are in the development, production and post-production phase. MDM aims to create different alliances and work networks that allow it to have access to participation in different projects.
In 2022, MDM created its academy section, giving group and personalized advice at a national and international level where it teaches the tools needed to be able to present projects at film festivals, financing funds, markets and pitch competitions and shows how the industry works from different sectors so that projects can be developed, enhanced and sold.
In 2023, he participated in the 24th edition of BAFICI, Buenos Aires International Independent Film Festival in the industry section, within the framework of Professional Meetings, giving a talk on the Development of Audiovisual Pitch Projects. In October, he traveled to the city of Montevideo, Montevideo to give his 6-week course on the presentation of audiovisual projects in person and gave a talk on Project Development and Pitch for university students at Dodeca.
In 2024, he continued to offer courses and created his first film festival FINCI, an international festival of new independent cinema, and the industry section FIINCI CINE CLUB, giving visibility to new filmmakers so that they can exhibit their projects by creating new meeting modalities and work possibilities. The first edition of the Cine Club took place on April 6. FINCI had its online version from July 30 to August 18. Now FINCI is going to be in-person, having its first edition in Buenos Aires from August 30 to September 15. FINCI plans to travel throughout Latin America to present the directors and projects of each country.
Coastal Cinema Category
Natalia Lódolo Cuenca
Argentinean audio-visual communicator and actress. She trained through seminars on acting in front of the camera, casting and self-casting, and specialized in the area of audiovisual production with professionals from both sides of the industry. She worked in the press in international relations for the Mar del Plata Film Festival (2022 and 2023). She also works in the production of music videos, both independent and for large productions, in documentaries and advertising.
The AI ARTIST supported by ASSOCIATION FRANCE CHINE DES NOUVEAUX CINEMAS、 ONED Pioneer Imaging Laboratory 、PixVerse. Supported and co-organized by China's largest technology media 36Kr.
Film Festival aims to explore the intersection of artificial intelligence with film and video, fostering innovative applications of AI technology in film and video production and presentation, and advancing the development of the future film industry.
The festival will hold screenings and creator exchange activities every three months to keep up with the rapid development and updates in AI technology, fostering ongoing innovation and collaboration in the film and video industry. Through these initiatives, the festival aims to nurture a dynamic community of creators, artists, and innovators while advancing the boundaries of AI-driven cinematic expression.
We are supported by large models, associations and communities in the AI field, including CORANT 3D, PixVerse, MIDjourney China, AIGC&China, AFCNC, WaytoAGI etc.
Notice: our new partner ,Courant3D Organized by Prenez du relief，from October 8th to 13th, 2024,As part of the partnership established between Courant3D, the International Short Film Festival in Clermont Ferrand, the New Cinema Saigon Festival and Berlin Interfilm, all selected films presented at the festival Courant3D、AI ARTIST may be presented during the times of the event at the International Festival short Film of Clermont Ferrand, the New Cinema Saigon Festival, the Interfilm Berlin and other editions of Courant3D and without exception.
2025 Sparknify Human vs. AI Film Festival
Welcome to the 2025 parknify Human vs. AI Film Festival, a groundbreaking event at the intersection of art, technology, and humanity.
Taking place in the heart of Silicon Valley—home to some of the world’s most significant advancements in AI generative video production—this festival celebrates the synergy between cutting-edge technology and the timeless essence of human creativity.
This year’s festival spotlights two distinct categories of films:
1. AI-Generated Films: This category showcases the revolutionary capabilities of artificial intelligence in film creation. The winning film will be the one that most convincingly mirrors human realism, seamlessly blurring the line between machine-generated art and human ingenuity.
2. Human-Created Films: Here, the spotlight shines on the unmistakable touch of humanity. The winner will embody the most “humanistic” qualities, evoking emotions and storytelling in a way only a human filmmaker can achieve—leaving no doubt that it was crafted by human hands and hearts.
The Sparknify Human vs. AI Film Festival is not just a celebration of films but also a conversation about the delicate balance between preserving intrinsic human spirit and embracing generative technological innovation. Join us as we explore the future of storytelling, where machines and humans together redefine the art of cinema.
Prepare to be inspired, challenged, and amazed. This is where the future of filmmaking takes shape—see you in Silicon Valley!
The Umbria Underground Film Festival is dedicated to independent and experimental cinema. We are looking for shortfilms out of the mainstream either in its style, genre or financing. The festival is organised by Ospizio Giovani Artisti of Rome (also organizer of the (S)exhibitions, on Festhome), in its space in Umbria. The intention is to offer the opportunity to visual artists and filmmakers to show their works in a context that stimulates reflection and free artistic expression. With a curated selection of films that challenge conventions and expectations, the festival celebrates the variety of cinematographic languages and welcomes proposals ranging from narratives through experimental films, to postporn cinema.
Int. Low & No Budget Video Film Festival "film-sharing"
Latest Festival 2025 Announcement
Submit Short Films Now!
Film Sharing – 23th International Low & No Budget Video Film Festival 2025
Festival Date: Sept.2025 Stuttgart, Aug. 2025 Heilbronn
Open Screenings start: Mai 2025/Stuttgart, Heilbronn ,
Place: Stuttgart, Heilbronn - Germany
Status: Independent Short Film Festival
Festival Niveau: Semi-Professional
Outreach: International
Submission Deadline: 10/10/2024 to 30/04/2025
Category: narrative short films, animations, comedy ( no documentray, music clips, artfilms)
Lenght: 1 - 16 min ( please don't send us films longer than 15 min!!!!)
Ages: 0-99
Internet: www.film-sharing.net (all terms)
Short Outline:
nineteen successful years of the ‘International Low and No Budget Short film-sharing Festival’ has inspired us to continue despite the disheartening of the cultural institutions.
Budgets for culture and the arts are being cut or axed. However, humour is when, in the face of adversity, you can still laugh! This year, we will defy commercialism and
capitalism and raise up our ‘Low and No Budget Film Festival’ with the opening in Stuttgart, Heilbronn, Schwäbisch Gmünd and Mainz.
Moreover, we will continue to
offer the ever increasingly popular internet forums, which publishes the un-filtered short films, as an antidote [AA antithesis, counter platform]. We will be showing the s
ubmitted films on the big screen to the interested public who can discuss and talk together before, during and after the films. We will be showing the Film Festival Programme at selected cinemas. The festival is a non-profit endeavour and a large part of the entrance tickets will remain with the cinema operators to cover their costs.
We will show all short films under 15 minutes and we look forward to receiving new productions as much as older short films or even youthful follies or transgressions!
The audience itself decides at the open screenings in April and May which films will be included and shown in the July Festival Programme.
Internet: www.film-sharing.net
History:
The annual Film Festival was established in Vienna in 2003. Since then it turned into an annual event and has expanded mostly in Germany.
The main venues are now Stuttgart, Heilbronn and Mainz and now Schwäbisch Gmünd and Sigmaringen. All films are collected and complied and then shown at these locations. Film makers, who fall loosely under the ‘independent film makers’ category, from throughout the world, submit their short films.
Annually, we receive about 1,000 films which we then sort and compile into thematic genres.
Point of Special Attention:
The Film Festival does not award any material or monetary prizes, rather it proudly offers the broad public and large audience. A prominent feature is the so-called
‘open screenings’ that present the full and rich character of the films including those that that receive less public attention. Over 200 people come together in both
cultural centres and restaurants to rate the submitted films from over 50 countries.
We will show all short films under 15 minutes and we look forward to receiving new productions as much as older short films or even youthful follies or transgressions!
The audience itself decides at the open screenings in April and May which films will be included and shown in the July Festival Programme.
All film makers, whose film is shown, will receive the Film Festival programme brochures.
BOSIFEST is the International Festival Of Documentary Film for and by persons with disabilities, the only one of this kind in the Southeast Europe, which will be organized this year for the sixteenth time in Serbia by the Hendi Center Koloseum. As in past fifteen years, this year on the big screen a great number of films will be shown both in competitive and non-competitive part. So far visitors of the BOSIFEST had an opportunity to watch 850 films that had life of the people with disabilities as their subject or were created by the disabled authors.
In addition to film screenings, BOSIFEST offers additional programs in the form of workshops, panel discussions and roundtables.
In 2018, Almagro International Film Festival -AIFF- born with the aim of establishing a useful platform for the promotion of the audiovisual industry: a space and time for dissemination and promotion of audiovisual content, transforming the city of Almagro into a meeting point for filmmakers, favoring the exchange of initiatives and promoting a market open to the development of new projects.
AIFF will provide a showcase for the most interesting short format projects done within the last recent months, constituting an standard of quality and high level of commitment to the society & culture of Audiovisual Arts. In addition, the Festival has opened an important window to formats created for online distribution, bringing support to one of the most active and emerging sectors of the audiovisual industry: Internet.
FICSEM Festival, in the Mediterranean area.
For major reasons, and having been immersed in a situation in which we have all been affected, we have decided to adapt to the current situation, and give a new focus to our festival. Maintaining the enthusiasm and passion we feel for the artistic world.
Our festival is aimed at the dissemination and promotion of film authors related to topics of social and/or ecological value.
Because we believe in the power of art as a transformative medium, our contribution from this festival is to give visibility to projects that address environmental and social changes in which we are immersed. We are an international festival because we understand the world beyond barriers, and because we are moved by the need to get to know other cultures and share the best of ours, as it contributes to any improvement in any corner of the world.
The Mediterranean is the climate that surrounds us, and we feel identified with it. In terms of warmth, closeness and transparency. We are a festival that is starting strong, with a large number of committed artists who share our cause, and the desire to share.
And that is why we are not afraid to break the most classic festival patterns. So much so, that in the award for best actor and/or actress, the recognition of the award falls on their social and/or ecological work... And not only on their skills.
Despite having firm ideological foundations. We open ourselves to other artistic areas and initiatives.
The 4th FESTIVALITO will take place in September 2025, in the city of San Carlos de Bariloche, Patagonia Argentina. After the launch, its traveling exhibition will begin in various cities and countries.
We want girls and boys to enjoy independent and auteur cinema designed for them :) We also invite them to debate and reflect after each performance, inviting them to actively participate in the artistic event.
The International Short Film Festival Psarokokalo is an annual festival held in Greece since 2007. The festival aims to provide a showcase for the work of new filmmakers from around the world and to promote the diversity and richness of the short film. The festival is part of a project aiming to research, promote and develop the art of filmmaking. The festival program includes screenings of short films from Greece and abroad as well as audiovisual events, lectures, masterclasses, exhibitions, and live concerts. The quality of its screenings, lectures, exhibitions have managed to make it a reference point for cinephiles, filmmakers, professionals, and new artists. Each year the activities of the festival expanded, receiving more participation from different countries and getting bigger support from filmmakers and professionals. The festival aims to travel across borders to develop a spirit of friendship and cooperation with international festivals and filmmakers from all over the world. Psarokokalo International Short Film Festival is run by Kyklos a nonprofit organization based in Athens whose purpose is to promote actions relating to cinema and public awareness of environmental issues. ‘Kyklos’ in Greek means cycle and the vision of the cycle is the respect for fundamental rights including freedom equal opportunities and cultural diversity
Around International Awards ✈ Barcelona ✈ Paris ✈ Amsterdam ✈ Berlin.
Annual Independent event with 4 major programs for all Features, Shorts, Documentaries, Experimental, Commercial, Music Video, Animations, Student Films, TV, Series, and New Media. The international community evaluates the all-genre creations to serve ARFF Official Laurels and to certify the awarded filmmakers at the end of the annual festival run. Thus, all the ARFF Finalists will be mentioned multiple times to have the best out of the entire year altogether. Submit today to participate in all 4 programs, regarding the unique system of ARFF International.
Submissions made via Festhome are getting evaluated and selected, directly for the yearly festival run and participating in the Official Certificate Program exclusively. Monthly selection is available on other associated platforms. Regarding the Unification Program of ARFF International, all 4 editions will gather at Amsterddam November/December 2024, till then Barcelona, Paris & Berlin editions will take place online.
See you Around & Fest Regards
The FICCIONS DE CIÈNCIA festival aims to promote dialogue between science and society. With an interdisciplinary approach, it highlights cinematic works that explore science from diverse perspectives, including its social, ethical, and emotional implications, as well as its connection to fields such as art, health, and culture. The festival seeks to foster public debate on the scientific and technological challenges of our time and to emphasize the role of science in culture, showcasing how it can inspire narratives in both fiction and documentary formats that bring science closer to the public.
Furthermore, during the first edition of "Ficcions de Ciència," there will be a thematic section dedicated to mental health. This section aims to address one of the most urgent and complex issues of our time: emotional and mental well-being in a scientifically and technologically advanced but socially challenging world.
The section will feature short films (both fiction and documentaries) that delve into topics such as the science behind mental disorders and their understanding, mental health in relation to society and social inequalities, and the impact of scientific research on personal and collective narratives.
Through this approach, the section seeks not only to raise public awareness about the importance of mental health but also to provide a space for reflection on how science can help us understand and tackle these challenges.
