AVANCA 영화제는 2011년 ICA/문화부가 후원하는 지원 영화제 콘테스트에서 1위를 차지했습니다.
지난 몇 년 동안 주제별 프로그램이 추가로 진행되어 관심사 및/또는 명확하게 정의된 목표에 따라 적절하게 구성된 현대 영화의 중요한 작품을 상영할 수 있는 공간이 생겼습니다.
AVANCA는 세계 영화의 인물들이 주도하는 워크숍을 위한 공간으로 알려져 있으며, 단순한 “마스터 클래스”를 넘어 독특한 영화 관행을 가능하게 했습니다. 매년 우리는 유럽 전역에서 온 참가자들을 모으는 워크숍을 개최합니다. 언론은 이곳이 영화 분야의 전문 워크숍이 열리는 유럽 최대 지역이라고 보도했습니다.
AVANCA는 시네마 국제 콩쿠르, 텔레비전 분야의 작품, 비디오 및 멀티미디어의 새로운 지원을 한데 모으는 유일한 페스티벌이며, 각 카테고리에서 세계 최고의 작품을 전시하는 데 특별한 관심을 기울입니다.
첫 번째 에디션 이후로 이 페스티벌은 포르투갈에서 전례 없는 영화만 상영합니다.
World Premiere 대회는 우리나라에서 유일합니다. Avanca가 뛰어난 품질의 미출판 작가와 영화의 관문이 되었기 때문에 가능했습니다. 출품작과 무관하게 페스티벌에서 세계 초연을 가진 영화들도 월드 프리미어 대회에 참가할 수 있습니다.
AVANCA는 전 세계 미공개 영화 중 첫 상영 비율이 가장 높은 포르투갈 페스티벌입니다.
2010년부터 우리는 국제 영화 컨퍼런스 AVANCA | CINEMA를 조직하여 이베리아 반도 영화 분야에서 가장 중요한 컨퍼런스가 되었습니다. 이 컨퍼런스에는 전 세계의 연사와 참가자가 한자리에 모입니다.
주제별 전시회, 서적 에디션, 서지 프레젠테이션 및 다양한 프로젝트를 통해 AVANCA는 페스티벌의 매력과 참가자들이 분명히 요구하는 품질을 지난 10년간 이어오고 있습니다.
PANSPORT Cinema e Esporte Ltda. promotes and organizes the RIO DE JANEIRO INTERNATIONAL SPORTMOVIES FESTIVAL (FIFE), which will be held in Rio de Janeiro, Brazil, from September 9th to 15th, 2015, with free entrance for the audience.
Single Paragraph – The screening program of the FIFE can be exhibited in until 15 (fiftheen) other cities of the State of Rio de Janeiro.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
제17회 시칠리아 암비엔테 영화제 - 2025년 7월 14일부터 19일까지
시칠리아 암비엔테 영화제의 목적은 독립 및 다큐멘터리 영화를 홍보하여 영화 제작자 간의 창의적인 교류와 네트워킹을 장려하는 것입니다.
이 페스티벌은 Demetra Produzioni SAS와 CANTIERE 7 문화 협회가 주최하고 후원하며, 페스티벌의 윤리적 원칙을 공유하는 공공 및 민간 파트너와 후원자가 주최합니다.
적격 주제
다음 주제를 다루는 영화가 페스티벌에 참가할 수 있습니다.
환경/인류학/인권/생물다양성/전쟁/통합/시민권/지속가능한 개발/인간과 환경의 관계
페스티벌 섹션
페스티벌은 다음과 같은 섹션으로 나뉩니다.
•다큐멘터리 필름 콘테스트 (최소 시간: 31분)
•소설 장편 영화 콘테스트 (최소 상영: 70분)
•소설 및 다큐멘터리 단편 영화 콘테스트 (최대 시간: 31분)
•애니메이션 단편 영화 콘테스트 (최대 상영 시간: 31분)
•다큐멘터리, 픽션 영화, 단편 영화, 헌정, 회고전, 세미나, 패널 토론 개요
선정 위원회는 예술 다큐멘터리 영화의 특징인 글의 질, 이미지의 질, 창의적인 언어의 사용 등을 기준으로 영화를 평가합니다.
Zapoteco Group: Cinema, Music and Independent Arts, Bad Taste Filmzine, TimeCode Media, Inferno Pictures and El Imperio Negro are pleased to present INTERNATIONAL FESTIVAL OF MUSIC ON CINEMA in its third edition to be held July 29th, 2015 – August 5th, 2015.
Rubber: International Festival of Music on the Cinema, has as goal give a space for the promotion of documentary and fiction films about the musical diversity of the world cultures, the importance of the soundtrack on the cinema, also the revalidation of work and life of classic composers and bands that have been mandatory benchmark of the popular culture.
For its third edition in 2016, RUBBER FIMC invites directors of national and international cinema, to be part of our call for entries for official selection for Competition and Exhibition.
The Reno Tahoe International Film Festival (RTIFF) is joining a long list of world class events hosted in northern Nevada, and showcases community support for filmmakers & screenwriters from around the globe.
The winning combination of superior world-class facilities, ground breaking cinema, savvy themed parties, and the dazzle of celebrities captivates thousands of willing visitors and locals alike. Along with an atmosphere aimed at making deals, attracts distributors and content producers alike, RTIFF has it’s sites set on becoming the next mega popular must-attend entertainment event. And you’re invited to get in on the ground floor.
In recent years, Reno has grown into a haven for anyone with an entrepreneurial spirit. As a result, companies such as Microsoft, Apple, and Tesla have selected Reno as a place to open up extensions of their companies. And with the launch of the film incentive fund, more and more filmmakers are discovering how easy and profitable it is to produce in northern Nevada!
So it only makes sense that we create a world class event to showcase you, the filmmaker, the screenwriter, the actor, the artist. RTIFF will screen 101 films over five days in the Reno Tahoe region. The films will be Narrative Features, Shorts, Documentaries, & Foreign Features. Some of our programs are: Silver State Sensations (featuring films, documentaries, and shorts filmed with Nevada talent - can be a local Director, Cinematographer, Actor, Writer, etc.), World Perspectives (films/documentaries that broaden understanding through storytelling), Thrill Seekers (featuring Thriller/Horrors features / shorts), Faith-based shorts, features, and documentaries & Leading Ladies (films with strong female characters leading the way), & Student Films.
Every film will be assigned their own Twitterati to get the word out during their screenings about audience reaction, stunning set pieces, and more to help build the filmmakers platform and attract film buyers.
In addition, the RTIFF offers screenwriters a screenwriting contest where the top ten winners will be shared with vetted industry producers and the top three winners will receive cash awards. So take advantage of the early submission and submit your screenplay today!
With a projected audience of over 7,500, RTIFF will attract an affluent, local, national and international consumer base, while attracting professionals in the entertainment industry in Los Angeles & San Francisco to come and experience the new Reno Renaissance that’s underway. They’ll come for the films & speakers and stay to play with all the fun filled actives aimed at the high impact tourist economy RTIFF will attract. Hotel discounts & special perks available to all flimmakers & screenwriters in the festival.
“Diritto al Corto” aims at promoting a discussion about topics that play a central role in the public debate and that imply a strong relationship with juridical, conceptual and linguistic instruments.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Literally Short is an event initiated by our drive to bridge all cultures onto one collaborative stage that stimulates international artistic expression. Our mission is to promote innovative approaches to social change through the arts and cultural influences. Our passion for film lies in its exquisite capacity to merge a multitude of arts into one vision; thus, Literally Short Film Festival seeks to dissolve all geographical boundaries into one platform that equally voices all cultures.
CATEGORIES
Voices
National & International Short Films
All genres accepted for this category (see Rules & Terms).
Local & Fresh
Texas Short Films
Films eligible for this category must be written or directed by a Texas resident; or produced in the state of Texas. All genres accepted (see Rules & Terms).
México Lindo y Querido
Mexico Short Films
Films eligible for this category must be written or directed by a Mexicna resident; or produced in the country of Mexico. All genres accepted (see Rules & Terms).
Welcome the 2nd annual FilmQuest Festival!
FIlmQuest celebrates the majesty of genre filmmaking such as fantasy, horror, sci-fi, and the beyond. Awarding filmmakers in 2014 with over $30,000 in awards and prizes, including the coveted Cthulhu Trophy, the festival launched with great praise and fanfare . FilmQuest has been designed specifically to cater to the empowerment of the filmmaker through various events, awards, swag, connections, and more.
In creating the festival, we thought long and hard about what it is that makes a festival great. We asked ourselves the tough questions. What we’ve come up with is, we believe, a festival experience that is the kind most filmmakers dream about.
Major industry professionals took part in the first Grand Jury, including Doug Jones (Hellboy, Pan's Labyrinth, Silver Surfer, Hocus Pocus), Dameon Clarke (Borderlands 2, Dragonball Z), and Amrita Acharia (Game of Thrones). The New York Times bestselling author, David Farland, is already confirmed for the 2015 Grand Jury. The award juries will award our filmmakers in over 25 individual categories. Our selection committee is also made up of a group of industry professionals from various fields, such as directors, actors, producers, professors, writers, animators, casting directors, and more.
FilmQuest itself is the film festival branch of FantasyCon, a convention that puts the fantasy experience of the patrons first. It is an interactive convention, where dragons, magic and battle literally comes to life. Just as FantasyCon is a celebration of all things Fantasy, from horror to adventure, so is FilmQuest a celebration of all things Fantastic in film.
We will also be hosting parties, events, panels and more!
We encourage you to explore our website (www.filmquestfestival.com) for new information and updates as it comes, including who is on the Grand Jury, the Selection Committee, the Official Selections, venues, and more. As the year progresses, we'll be updating our website and this page with more info on what to expect, the celebrities who will be involved with FilmQuest, the official dates (2015 FilmQuest will take place in July, 2015), and more.
Prepare for Fantastic.
TWIFF is dedicated to showcasing new and innovative films while fostering the next generation of filmmakers. The festival also seeks to serve the community by presenting unique programs that educate, inspire, engage and challenge a diverse audience through the art of film. The festival provides a platform to introduce their films to the broadest possible audience. TWIFF is committed to providing opportunities to fellow filmmakers and all others in bringing cinematographic arts and other related entertainment products through high-profile community events, talent, productions and films from around the country and the world.
KFF는 2013년에 국제 단편 영화제로 시작되었습니다. 처음부터 우리 사명의 핵심적인 부분은 관객을 다양한 종류의 영화에 더 가까이 데려다주고 영화 예술에 대한 관심을 불러 일으키며 일상 생활에 미치는 영향을 이해하는 것이었습니다.
매년 9월에는 크랄레보 (Kraljevo) 시 (“왕의 마을”을 의미) 에서 열리는 축제는 7개의 세르비아 왕이 선정되었다고 전해집니다. 역사적인 유산으로 인해 우리는 축제를 “크랄예프스키 필름 스키 축제”라는 이름을 지정하기로 결정했습니다.
KFF는 지난 6년 동안 네덜란드, 스웨덴, 독일, 브라질, 홍콩, 핀란드, 프랑스, 스위스, 러시아, 몬테네그로, 크로아티아, 마케도니아, 불가리아에서 출항한 영화 제작자들이 캐주얼한 분위기로 영화 제작자 친화적인 환경을 제공하고 있습니다.
2019년, 크랄예프스키 영화제는 포스트 프로덕션 영화제로 진화함으로써 프로그래밍 및 관리 수준 모두에서 상당한 변화를 겪었습니다. 훌륭한 단편 영화를 보여주는 것 외에도 우리의 주요 목표는 포스트 프로덕션의 예술과 공예뿐만 아니라 카메라 뒤에서 창조적 인 사람들을 홍보하는 것입니다. 이를 위해 KFF는 전 세계의 포스트 프로덕션 아티스트들을 마스터 클래스 또는 워크숍에 초대하고 KF에서 영화 제작자 미팅을 주최합니다.
Black Alphabet Film Festival (BAFF) is Chicago's premier film festival for the Black LGBTQ community. Our tagline, Telling Our Stories Beyond the Rainbow, encompasses our mission to provide a platform and resources for the storytellers in our community.
BAFF has relationships with several filmmakers and festivals in the industry. What sets our festival apart is our incorporation of storytelling forms, including music and poetry during our event. In 2014, we had several performers and sponsors; We look forward to an even bigger year in 2015!
MISSION & OBJECTIVE
The Hell's Half Mile Film & Music Festival (HHM) is the perfect mix of independent film and live indie music. Still under the radar, but we’re starting to make an impact with our guests.
"I don't remember much of my two years going to Hell's Half Mile. That's how much fun I had." – Rider Strong, “Cabin Fever” and two time guest.
Our taste is eclectic, everything from quirky comedies to hard hitting documentaries to emotional drama. Our goal is to find "the little film that could" -- a bunch of them actually -- and bring the filmmakers together to take over Bay City, MI. Our primary concern is community, and the filmmakers who attend our long weekend walk away with lifelong friends and future collaborators.
"I’ve been to SXSW several times, San Francisco, a bunch of smaller festivals all over the U.S. It [Hell’s Half Mile] feels like the real deal. It’s people who genuinely love film, love the independent film community. The quality and lineup is incredible” – Ashley Spillers "Arlo and Julie"
Over the last ten years over 100 directors, producers, screenwriters and actors have joined our growing audience. We provide travel and accommodations to a select number of filmmakers, plus all-access passes and catered receptions. All of our venues are within a few block radius and hotels are within walking distance, making it super easy to get around. Visit hhmfest.com for links to the venues and video recaps of previous festivals. We schedule events to help you with other filmmakers, musicians, movie fans, and our supportive local community. Our goal is to provide you with a professional, casual and fun experience during your stay with us, including unique outings that give you a taste of the local flavor. It’s the least we can do in return for providing our festival-goers with great independent cinema.
Once your festival experience ends, Hell’s Half Mile looks to the future. HHM alumni receive fee waivers for future projects and all-access passes for subsequent year’s festivals, whether you have a film in our program or not. We continue to support alumni projects through social media and newsletters celebrating victories and other milestones through our growing network of filmmakers and film lovers.
“Hell's Half Mile gives me warm feelings in my heart. The warm feeling in my pants is possibly unrelated. It’s worth every minute and it's the kind of festival that you make movies for.” – Kenny Stevenson, writer and actor, "Love, Sex and Missed Connections".
Guests are not left alone to fend for themselves amidst our rabid audiences and interested community members. Programmers and organizers are ever present and ready with introductions, recommendations and the occasional swift exit from oversharers. Bay City nights are filled with raw rock and roll sounds giving us the moniker of “little Detroit”, especially into the wee hours at super-secret-after-parties. Daytime in Bay City is cool Fall days with sunny riverside strolls or bike rides past historic lumber baron mansions. Or, there are always plenty of great films to watch. Its up to you!
Filmmakers are also encouraged to participate in panel discussions, receptions and other events. We continue to foster student and local filmmaking, which provides opportunities for guest filmmakers to present a workshop or lecture focused on a specific topic or specialty. Other guests are invited to screen our student and local short films and give constructive feedback to the filmmakers. This type of mentoring helps to strengthen local filmmaking and continue our relationships with area universities.
Hell’s Half Mile, ranked 27th in Moviemaker Magazine’s Top 25 Coolest Film Festivals of 2016. Just a prediction.
ABOUT THE FESTIVAL
After ten years, Hell’s Half Mile organizers continue to strive to be an innovative festival for genuinely independent films and original music. This festival is about connecting the filmmaker and the festival-goer. Period. Well, and parties too.
In addition to relentless promotion of films, Hell’s Half Mile recognizes and rewards films with jury, programmer and audience awards, some with prizes. Prizes include a cash prize of $1000 for the Grand Jury Award, as well as other valued prizes. Grand Jury Winners include the controversial “Lamb” (2015), the Icelandic “Metalhead” (2014), and the acclaimed documentary "Remote Area Medical" (2013). Past jurors include Damien Chazelle (Whiplash), Adam Busch (Buffy the Vampire Slayer), Adam Schartoff (Filmwax Radio), Jasmine McGlade (Maria My Love), Joey Kern (“Super Troopers”), Geoff Marslett (Loves Her Gun), WAW Parker (Guy and Madeline on a Park Bench), Rider Strong (Cabin Fever), Leslie Raymond (Ann Arbor Film Festival), Mark Covino (A Band Called Death), Michael Dunaway (Paste Magazine), Joel Potrykus (Buzzard) and Jeff Meyers (Metro Times).
Each year we screen great narrative films, like the Midwest Premiere of Terry McMahon’s “Patrick’s Day” jury award winner for Best Feature at the 2014 Woodstock Film Festival, and winner of the Hell’s Half Mile jury award for Best Screenplay. Quirky comedies like James Westby’s “Rid of Me” and Neil LaBute’s “Dirty Weekend” have been big hits with HHM audiences. Co-director Mark Covino attended with the international hit "A Band Called Death" which won the HHM "Fest Best" award. Rider Strong has been a guest at HHM with four amazing films over two years, including “The Dungeon Master,” written and directed with his brother Shiloh and winner of the 2011 Tribeca Film Festival Best (Online) Short Film. Visit hhmfest.com for complete lists of all films presented.
Some of the great music we’ve had over the years connects our film and music events. Matt Pond PA joined us at HHM in 2010. This same year, screening at the festival was “Lebanon PA,” with original score by Matt Pond and Chris Hansen of Matt Pond PA. Another great band that performed at HHM in 2011 was The One AM Radio, led by Hrishikesh Hirway who also did the original music for the 2012 feature film “Save the Date.” Visit hhmfest.com for lists and links of previous music performers.
HHM, a partnership with the Bay Arts Council, utilizes a unique mix of venues including Bay City’s historic Mayan themed State Theatre, the Delta College Planetarium, and a turn-of-the-century red sandstone former Masonic Temple, saved from demolition by the Bay Arts Council. Likewise, the Hell’s Half Mile programmers are looking for the right mix of creative and challenging works, including those from underserved segments of the film community, to bring to our seriously appreciative audiences. We hope you’ll consider us.
What's with the name?
In the late 1800's, a stretch of Bay City's riverfront was lined with raucous saloons and two-bit hotels where turn-of-the-century loggers and shipmen would go to blow off steam and take in more than a little local color. This strip was known to locals as Hell's Half Mile. "'Hell's Half Mile' was the strip of waterfront where lumberjacks used to go boozing and whoring. Now, a bunch of us from Hollywood go there for a film festival. Not much has changed." – Rider Strong
Time has passed, but the same rough-and-tumble spirit of the day is reborn in the Hell's Half Mile Film & Music Festival. Today, the city boasts a beautiful downtown riverfront with boutiques, restaurants, theatres, pubs, hotel accommodations and other points of interest....a state of the art planetarium, art galleries, a thriving business community, and an active shipping lane for Great Lakes freighters...Downtown Bay City is alive with activity.
The Bluestocking Film Series is an exclusive showcase for Bechdel-Test, high-quality, provocative short fiction films featuring complex female protagonists driving the story and leading the action. This innovative screening series originates in the beautiful, culturally vibrant city of Portland, Maine and travels to other film-loving cities around the country and the world.
The only film event in the world to require female protagonists, submissions must also pass the Bechdel Test. We celebrate and promote talented, established and emerging filmmakers who take the creative risk of placing female protagonists front and center. We introduce audiences to those who are contributing to the art and craft of cinema and who have the potential to influence the future of filmed entertainment.
We encourage and promote production of narratives that reflect the diverse experiences of women. We have a marked preference for well-structured, highly visual, cutting edge, provocative films, especially ones that explore the plurality and variety of women’s relationships.
To be considered, your submission must feature a female protagonist and pass The Bechdel Test (film must feature at least 2 female characters who talk to each other about something other than a man). To find out more about the test, please Google it.
At this time, we invite submissions of short NARRATIVE FICTION films ONLY. Feature length films will not be considered. Straightforward documentaries will not be considered.
Our mission is to present films that place women and girl characters front and center, driving the story and leading the action, films that portray these characters as strong, capable, flawed, and complex as their male counterparts.
The Bluestocking Film Series was founded by filmmaker Kate Kaminski and is produced with partner Betsy Carson (Gitgo Productions).
라이프 애프터 오일 국제 영화제는 환경 및 인권 영화제입니다.
포스트 석유 시대를 준비하면서?
이 페스티벌은 단순한 노출을 넘어서겠다는 의도에서 시작되었습니다. 화석 연료 생산에 사용되는 천연 자원 개발 및 이용과 관련된 위험에 대한 대중의 인식을 높이는 것도 중요하지만, 에너지 부족, 특히 물 공급과 관련하여 세계 인구와 매우 관련이 있는 재해로 인한 심각하고 극적인 문제는 여전히 남아 있습니다. 따라서 축제의 주요 목적은 화석 연료 사용과 관련된 문제를 강조하는 것뿐만 아니라 현재의 과학적 지식에 따라 잘 알려진 몇 가지 생산 방법을 고려한 대안을 찾는 것입니다.
