The GEH Short Film Competition is a short film competition on human rights held in different localities of Gipuzkoa (Basque Country).
This competition is part of the global project human rights Giza Eskubideak Herrira (Bringing human rights to the people.). The GEH is a human rights awareness project created by the dar-dar Productions cooperative in 2015. The first editions were based in Ordizia. In 2023, the festival has developed and extended to several towns in Gipuzkoa (Euskal Herria).
The main objective of this competition is to raise awareness and educate on human rights. Because this short film contest is a window that we open to the world, and from that window we can see the different realities that people live in different parts of the planet. In view of these realities, we intend to encourage reflection on human rights violations in different parts of the world.
The Discover Film Awards is one of the biggest short film festivals in the world with over 5,000 annual submissions from 100+ countries, global premiers in London's Leicester square with packed cinema audiences, filmmaker parties, red carpet events, script-pitching round tables with funding available for new projects and an annual cash prize fund of over $50,000, including the prestigious Craghoppers Film Prize.
The film festival is consistently voted in the top 50 in the world. Spread over 5 days in October 2019, the festival involves public cinema screenings at the Prince Charles cinema in London's Leicester Square. Quentin Tarantino describes it as his favourite cinema in London saying it is "everything an independent movie theatre should be”.
Discover.film are looking for the best short films: stories that share a glimpse of filmmakers lives; what bothers them or makes them laugh, of injustices, of unsung heroes, of the serious, the bizarre, the funny or just where filmmakers' imaginations take them. All types of short film are welcome to enter with awards for: action, drama, sci-fi, docs, horror, comedy, experimental and everything in between (a full list of award categories is provided, below). All films must be under 45 minutes.
A major supporting partner of the festival is Craghoppers, the global outdoor clothing brand, which awards The Craghoppers Film Prize, one of the largest cash prizes available for short films. The first prize is £20,000 ($26,000) in cash with a second prize of £5,000 ($6,500) and additional awards of £5,000 ($6,500) for the best social impact film and £2,000 ($2,600) for the best student film. In addition, there are various in-kind awards from sponsors.
Selected films get the option of various paid distribution opportunities including international TV, major trains, hotels and airlines. Distribution is optional and entirely up to the filmmaker.
As well as cash prizes, winners can get help with future film projects in the form of discounted rates from partner firms (such as production houses) and mentoring from senior commercial film and business executives. The festival also introduces filmmakers to funding sources for future projects and offers publicity across a wide range of media (print and social) so enter today!
The International Short Film Festival of the all us other Social diversity aims to be a platform for young LL everyone disclose their works and share experiences and concerns in a conference devoted to the cinema and people.
The film would not exist without people, but there may be people without cinema? Of course that Yes, and homeless and without clothes and without food, full is the world of people who have nothing, not film. To all of them we dedicate our festival to serve the film les voice, even cry. A means to vindicate the justice, equality and rights denied by the world. An agile and current to denounce injustice and inequality, the horror.
This effort, on the premise that what has been the monopoly of a multi-billion dollar industry, is mutating into a mass system of creation and multicultural exchange. Access to technology and the Internet open field to new youth and community expressions, the filmmaking turns and we intend to respond to this transformation.
Love for cinema, passion for people and the conviction that the arts and culture and the exchange of experiences and opportunities it is possible to create a better world...
.. .a world of film.
Organised by Donostia Kultura, the San Sebastián Horror and Fantasy Film Festival took its first steps in 1990. Ever since its beginnings, the Festival has endeavoured to fashion a programme offering something for every kind of spectator. Horror movies, sci-fi, animation, shorts, classics from all over the world… have alternated the length and breadth of its history with shows, exhibitions, concerts and various other activities in the attempt to create a varied competition in which everyone can find something they like.
Since its inception, the "Festival of cinema unusual de Buenos Aires" has proposed to investigate the least explored aspects of the current film production in order to meet the expectations of those who yearn for a different filmic vision. A target to meet is to facilitate the knowledge of many new authors who, fleeing the current stereotype, offer an eclectic perspective from the thematic and visual.
From 19 to 29 October 2017, we carry out the Thirteenth Edition in important offices of the autonomous city of Buenos Aires. Of a competitive nature, it has a duration of 11 days and us sponsored by important institutional bodies. Also, carry out promotional, permanent monthly activities of the Festival: lights/signs and participations in film markets.
CATACUMBA UNDERGROUND FILM FESTIVAL is a cultural, handcrafted and resistant project that since the year 2000 is developed in the Valencian municipality of Godella and that uses as a backbone the projection of recent audiovisual works that coexist during the celebration of this peculiar festival.
In its 17th edition, the festival aims to collect independent film proposals that offer an alternative perspective created from the transversality that filmic language allows. Works that in some way subvert morality, dismantle repressions, our philias and phobias and that evidence the structural defects of the society in which we live. On the margins of the entertainment industry we will find proposals that can lead us towards different models of expression that allow the narrative cinema to return to the expressive category that it seeks to invite reflection. Possibly if it is strange is because it remains hidden from perception and the senses.
We understand that the cinematographic production is living a creative process that enhances the fusion between genres, stoking the originality and the diversity of the medium, we ascribe to all these possibilities. From CATACUMBA we want to reflect this creative reality, giving space to a greater number of works, sometimes unclassifiable, but which act as reflecting mirrors of the strange reality that we live.
In short film and feature length format you will have the possibility to feel all the fears, dreams, philias and phobias that our directors intend to transmit. You will know genres once reviled and undervalued, but that have had transcendental titles in film history and that have become authentic referents of universal filmography. Reflecting cinema of our social reality, cinema that convinces us more every day that reality will always surpass fiction.
Mission:
A judged film festival described as "Sundance with Fangs" by Newsday Long Island. We provide a venue for showcasing your films within a celebratory & respectful environment, where fans can enjoy the independent films entered by those of you who passionately craft your Strange-ifical, Weird-ifical, Horror-ifical, Sci-fi-tastical, Fantastical and Macabre-licious films. The opportunity to win awards, increase film visibility via press and possibly obtain distribution is always part of the equation with the Macabre Faire Film Festival.
For starters the word "Macabre" is pronounced: Ma-Cob. The "re" is hardly ever heard. What does it mean?
Although it is an adjective meaning: disturbing and horrifying because of involvement with or depiction of death and injury, WE ARE NOT SOLELY A HORROR FILM FESTIVAL but instead a whole lot more than that. We usually approach the Macabre Faire Film Festival with a lighter touch in the sense that, not all of the films screened are horror and instead many may simply be considered a bit on the darker side. Of course, we will add some horror to this festival but, when we hear the word "Macabre" we remember those hauntingly fascinating films that starred legendary greats such as:
Vincent Price & Peter Cushing or those fantastic Gothic horrors like the "Hammer" films. These names in themselves represent what "macabre" means to us. What we are saying is that the word "Macabre" DOES NOT mean we only accept HORROR films but instead that we welcome those films that can tap into our fears through what you don't see or hear. A dark drama, mystery, suspense, thriller or dark comedy can do a lovely job making us feel uncomfortable in the dark. So folks, this is what many of the films selected for the Macabre Faire Film Festival offer. A buffet for any pallet. About the only thing we may have to say "No Thanks" to would be a romantic comedy/drama... unless, there's a monster under the bed during love making or other dark element.
All submitted films are pre-screened by select judges that includes Eileen Dietz, our Festival Ambassador, of the original "The Exorcist" film to ensure the films have followed guidelines and are an overall fit for the festival. Then the films are passed on to another set of judges consisting of more filmmakers, film critics, genre film fans and or seasoned actors to choose the Official Selections. Once these selections have been identified there is an additional judging process in collaboration with the original pre-screening judges to identify the different category nominees. Once you have been notified we insist on having the film festival entry form filled out and submitted back to the festival via email or snail mail within 4 weeks of acceptance. This form can be found on our website or it has been emailed to you as an attachment with your initial welcoming email.
URGENT NOTE: IF THERE IS NO CORRESPONDENCE BETWEEN THE FESTIVAL AND INDIVIDUAL WHO SUBMITTED THE ACCEPTED FILM WITHIN 4 WEEKS FROM INITIAL ACCEPTANCE NOTIFICATION, WHICH ALL FILMMAKERS RECEIVE FROM FESTHOME BY DEADLINE DATE, YOUR FILM WILL NO LONGER BE AN OFFICIAL SELECTION IN THE MACABRE FAIRE FILM FESTIVAL. So we urge everyone to check their spam folders at all times and or ensure to make contact with the festival within 4 weeks of the acceptance notification. Failure to do so will exclude your film from the festival. Please take the time to ACTUALLY READ all the pages of the submission form which contains mailing address information (if needed) and other very important details which includes getting your discs or film posters sent to the festival in a timely fashion. This does not mean mailing materials in 2 weeks before the event as they will not be accepted.
Moving on...
January's festival always falls on Martin Luther King Jr weekend for easy remembering. This 4 day event start with Thursday and Friday being solely screening days with minimal panels within 3 screening rooms. The festival continues for another 2 days with Saturday screenings starting at 12pm into midnight within 4-5 screening rooms and an intimately sized vendor room with additional panels available for guests. Saturday evening is capped with an elaborate Red Carpet Gala Award Ceremony that offers a glamorous atmosphere filled with Press, Photos, Entertainment, Dinner and Awards! This is NOT to be missed.
Sunday captures the conversations from the night prior winners and more. A perfect day to catch those shorts you may have missed as it usually hosts an encore segment for short films from 12pm until 6pm. Be sure to visit the vendor room before the day is over and sit in on another panel or other special treat before it all ends until the following year.
Several films that have screened at MFFF have received distribution at this time for titles like: Cannibal Diner, Caesar & Otto's Deadly XMas, Caesar & Otto's Paranormal Halloween, Model Hunger, The Perfect House, House of Afflictions, Dead Woman's Hollow, The Long Island Serial Killer, The Ghouligans, Devil Knows His Own, Coyote, and others being discussed at this very moment. Will yours be next?
Children's, Nature & Wildlife Film Festival is an India’s independent film festival promoted by Miniboxoffice India. The Children's, Nature & Wildlife Film Festival aim is to showcase & promote professionally made entertaining, enlightening & encouraging feature films, short films, animation & documentaries among target audience. The festival accept all genres of children’s, Nature, Climate & Wildlife films be it a fantasy, motivational, drama, disability, educational, science fiction, adventurous, parenting etc.
The Children's, Nature & Wildlife Film Festival is a boutique of children’s, Nature, Climate & Wildlife films celebrating childhood & nature. The festival objective is to bring the world class cinema to the door step of children’s which provide alternate source of learning & help in understanding the culture of other nations and nature through the art of cinema. CNWFF also giving exposure of film education through various workshops & master classes. At the same time providing platform to the filmmakers in reaching out wide audience through CNWFF.
The festival helps in raising the standards of quality content for children’s & nature films and also helps to boost-up the film market. We hope that CNWFF will prove a milestone for filmmakers in their career & a rich experience for audience as well.
The Festival will take place within the 5th edition of TESAPE, an event for the national cinema industry, to be held from 21 to 24 September 2016 in the Centro Paraguayo Japonés in Asuncion city, Paraguay. The Festival is aimed at young people learning a career, course or audiovisual workshop, and for those filmmakers who want to participate with their first productions. In addition to the official competition that brings together national and regional short films, the Festival will develop an instance Open Screen, for those films that have not been selected.
Handwritten letters become source of inspiration for original short films produced by filmmakers from all over the world and commissioned by the Letters’ Festival in collaboration with the London Short Film Festival. This is Movieletters’ project: a unique mix between letter writing and film making that, throughout the years, has given birth to wonderful works of art.
For the 2016 edition of the Movieletters’ competition, film directors from around the world are invited to make short films translating into cinematic language the words contained in the letter written by Dr. Jane Goodall, DBE, founder of the Jane Goodall Institute and UN Peace Messenger.
The text of the letter, downloadable in different languages, must appear either wholly or partially (simple quotes are also allowed) within the short film, in the way that the author deems most appropriate: voice-over, lettering motion, opening and closing credits, etc.
A dedicated jury will decide on the short film finalists and the winner.
LA Underground Film Forum (LAUFF) is dedicated exclusively to independent, experimental, and auteur cinema. It focus on avant-garde, art-house, independent and no/low budget filmmaking.
Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”.
We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
Film Festival held in Guadalajara, Jalisco, Mexico , specializing in spreading terror , suspense , science fiction and fantasy , focused on the cinema and the various artistic disciplines that exist emphasis on the entertainment part with commitment that the public receives in each of our events , a real fun and enriching experience.
The main requirement is that the short film must deal with any of the social issues related to gender equality:
coeducation, rights, gender violence, sexual violence; historical roles, women's participation in social life; work-life balance; equality policies; wage discrimination; glass ceiling; sticky floor; discrimination based on sex, gender or sexual orientation; invisibility; co-responsibility; sorority, etc.
For the rest of the conditions, please consult the terms and conditions.
The annual film festival TFF is held in Minsk, Republic of Belarus.
The festival’s aim is watching interesting movies, discussing them, giving and getting the prizes and having a nice autumn evening.
*The First Festival stop is at Penn State University in State College PA, March 22-25 2017*
Dear Filmmakers,
The College Town Film Festival is thrilled to be entering it's fifth year. Along the journey, we have met talented filmmakers and artists; we have been hosted by engaged, intellectually curious students; and we have been welcomed (and challenged) by world-class faculty members who have come to define our festival.
When we first began to formulate the idea for The College Town Film Festival, we knew it had to be a traveling event. We wanted to capture the energy of a place that thrives on youth and deals in the currency of developing minds. Plus, a roadshow would allow us spread the word while gauging the pulse of the college audience. Since those early conversations, The CTFF has grown rapidly over 4 fast-moving years. We have screened Independent films (with accompanying TedTalk-like presentations and panels discussions) for large crowds on major college campuses, enabling students to discover a world of ideas and a sense of passion for issues that matter; often encountering a filmic view of our complex world that isn’t available at the local multiplex.
At the same time, the University Professors we work with are thrilled to welcome the professional Actors, Directors, Editors, Writers, Casting Directors, Crew Members and industry professionals that we invite to campus to discuss the inner-workings of film and professional production. The big surprise however, is that College Deans and Administrators enthusiastically support the festival because they’ve discovered that The CTFF fills a vital need: bringing the University together across disciplines. Which, as one administrator revealed is “normally the provence of sports and keggers… not art and ideas”.
From the beginning, we knew that colleges of communication, theatre and business/marketing would be natural partners. But every year, we discover that new faculty provosts and new deans are reaching out to us. Four short years into the experiment, The CTFF now receives unexpected and enthusiastic support across campus: with strong participation from the colleges of education, psychology, life-sciences, philosophy, engineering, theology and even medicine and computers. Our new challenge is to keep pace with this growing interest… and channel the enthusiasm into a more sophisticated and technologically-advanced platform.
When I meet with professors and deans I explain that we began with (and stay true to) two simple goals. 1) Support Independent filmmakers. 2) Introduce students to unique voices and fresh ideas “without making them feel like they are eating vegetables.” Of course, making these two ideas work together and balancing them, can be a bit of a challenge… but that tug-of-war is what led to a moment of clarity and our third goal, which is what really gives life to the College Town Film Festival. And it is the thing that excites the University faculty heads.
Each year, and with each stop on the tour, the energy and excitement around this event grows. The 2015 Penn State festival was by far our most ambitious and the most successful. Now we are being contacted by new Universities who are interested in bringing CTFF to their campus, and we are looking for filmmakers with something to say to help us grow this festival to reach more students.
The best screenings are attended by the filmmakers. That’s why we help with travel. Sometimes it’s airline tickets, usually it’s a hotel room for a few nights… often it’s both. But always the reason is the same: we want to hear your voice; learn about the backstory and listen to your plans for the future… and always, argue the merits of your film.
But beware: the conversations are real. Sometimes we agree; more often we argue — never do we pull-any-punches. That is the deal we have for you: we won’t pretend to be “the next Sundance” (blah, blah, blah) and you won’t have to worry that we’ll subject you to an audience programmed to agree with you just because you’re in the room.
We’re not interested in how your film was financed or how much it cost or why you cast the girl with the lisp. We just want to know one thing: of all the movies you could have made, why did you make this one?
So submit your film. Know that it will be reviewed by thoughtful judges. That it will be given careful consideration. And when it is accepted… we don’t just want a copy of the DVD… we want you.
SAN LUIS POTOSÍ INTERNATIONAL FILM FESTIVAL (FICSLP)
Call 2023, 11° SAN LUIS POTOSÍ INTERNATIONAL FILM FESTIVAL
DRACULA INTERNATIONAL FILM FESTIVAL calls for short films and animation films. Filmmakers working horror, sci-fi, gore, thrillers, supernatural, dark comedies, animation, experimental films, cult and cutting-edge short films within the horror, fantasy and science fiction genre are invited to submit their work for its fourth edition.
